Best of Harping in 2021

In no particular order, I’m sharing some 2021 highlights playing harp, teaching, and writing.

Centrum Artist Residency
I spent the month of March 2021, in Port Townsend, WA, on a truly regenerative and inspiring retreat. Through Centrum Foundation and Fort Worden, I was able to live in a cabin on the edge of the woods where the Straight of Juan de Fuca flows into Puget Sound, watch eagles and deer at my door every day, beachcomb, hike, and oh, yeah, squeeze in a little work! Focus of my work was on Harp Escape compositions and arrangements, as well as solo improvisations (like this one) and with my friend Josh Rawlings.

Harp Escape Make-Over
Since 2019, I have been working on Harp Escape, a therapeutic harp series of meditative audio and video. During this time, I’ve recorded nearly 200 audio tracks and done over 60 posts of writing, video and sheet music arrangements for Patrons! That is a lot for me to feel good about, as far as general productivity goes. Harp Escape is having a make-over this winter. In 2022, I’ll be moving forward with edits on individual tunes, then releasing singles on the various streaming platforms.

Making Music a Healing Process
This pandemic time continues to challenge all of us, so how can we include well-being in our daily work? I was asked to be guest speaker for Seattle Music Teacher’s Association in March of last year, talking about how to merge teaching with healing. It almost seems imperative to do so. As a Certified Clinical Musician, I thought about the mindset I put myself in, in order to play bedside music for people in physical pain or suffering from anxiety and grief. Much of that mindset can be applied to how I play music in general, so I like to share that with students. In this post, I wrote up 5 ways how to make playing music a healing process.

1st Live Concert in 20 months!
In December 2021, I played my first public concert since March 2020 lockdown.  Looking Glass Coffee, a sweet café in Snohomish, WA offered the perfect backdrop for an afternoon harp music: red velvet curtain stage, high vintage tin ceilings, and killer coffee. We were all so pleased, I’ll definitely be making another Sunday afternoon come back in the New Year. The pandemic continues to be a dicey time for performing live music, and I am thrilled to have a found a welcoming venue that matches harp music so well!

Seattle Harpist
thru the Looking Glass

Poor Wayfaring Stranger
I wrote about the history of “Poor Wayfaring Stranger,” a traditional American folk song, and arranged a lead sheet available at Puget Sound Folk Harp Society.

10 Tips on How to Improvise on Harp
I’ve been a fan of creative self-help inspirational books for years. From Natalie Goldberg to Stephen Nachmanovich, I’ve been studying prompts, quotes from the masters, and artist psychology for a long time. This Top 10 list for harpists helps unleash the timid player – many harpists are classically trained or play traditional Celtic tunes. Improvising for anyone can feel like uncertain territory. These tips take you back to “beginner’s mind.”

Circle of 5ths 2.0 Virtual Harp Course on Udemy
I pre-recorded a workshop for the first time! This is a major accomplishment for me, and I put many hours into creating a class on demystifying a tricky musical topic: The Circle of Fifths. The class is available on Udemy and is at advanced beginner – advanced intermediate level.

Seattle Harpist
with some students from Let’s Harp Together! workshop in October 2021 at Dusty Strings

Harp Seattle Workshop – Let’s Harp Together
Another first: I taught my first in person group workshop in over 2 years! The theme of Let’s Harp Together, got everyone playing songs together – something none of us had done since the pandemic. It was wonderful hearing all the harps vibrating together (it was a few hundred strings!). Thanks go to Harp Seattle and Dusty Strings.

Seattle Harpist
Return of the Wedding Cermony

Return of the Wedding Ceremony
My guess is that I’ve played music for about 500 weddings and counting. Most of my summers are booked out for months. 2020 was different. By the end, I had played a mere three weddings, which I suppose was good all considering. While 2020 ceremonies were very intimate and minimal, 2021 was a return to my usual full calendar, larger gatherings (though masked of course). I played for more than one couple who had re-booked their ceremony more than three times! Once more, it was such a pleasure to return to playing harp for another season of wedding of couples, including some really amazing natural scenery at the Treehouse Point, Leavenworth and at Mount Rainier. I feel so lucky!

In Celebration of Poet Crysta Casey

It is Veteran’s Day and I miss my friend Crysta Casey, who was a military journalist, poet, and painter. We met in 2002 at Red Sky Poetry Theatre (Seattle’s longest running open mic series). We were quite different people – she was 25 years my senior, a military veteran, and sufferer of extreme mental health issues – yet we had a very casual and organic friendship that came together quite effortlessly. It was only after her death, did I realize she was also my mentor and artistic advisor.

After the reading that night, Crysta and I talked on the street for a long time. She smoked cigarettes as we realized we shared similar poetic influences (Anne Sexton, Sharon Olds, the Surrealists, and others). We exchanged contacts to meet up and share poems. What started as frequent cafe meet-ups to read/critique each other’s work, eventually turned into a weekly date in Crysta’s Belltown apartment with wine and food and an exchange of books and literary magazines.

Continue reading “In Celebration of Poet Crysta Casey”

Harp Escape Vol. 3 & 4

Harp Escape is a series of videos and recordings dedicated to relaxing and calming music. What started out in 2019 as a YouTube video series, has turned into a pandemic weekly live concert series (on Facebook) and a new hour of instrumental harp every month (on Patreon).

Recorded in 2019, volume 3 features Erik Satie’s iconic First Gymnopedie.

First Gynopedie (Erik Satie)

A contemporary of Claude Debussy and Maurice Ravel, Satie was also a part of the French Impressionist movement. He was older that the others at that time and somewhat reclusive. He was a bit of a mentor to some of the younger musicians at the time, though his use of whole tone scales was considered unusual. Whole tone scales are based upon the Pythagorean theorum, also known as The Golden Ratio. I think one of the reasons why Satie’s music is so timeless sounding is because they are based upon ancient sounds. These old intervals in the scales are striking because they sound at once soothing, unusual and yet familiar.

Continue reading “Harp Escape Vol. 3 & 4”

Motherhood v.s. Creative Time

Time is on my side, and yet it is my greatest challenge!

I am always on the lookout for how creative mothers make their way through the world – I don’t have any other day job; my work is based on writing and music and I have two young children.

There is a real need for artist mothers to share in their creative process in my opinion – for encouragement, creative tips, support, and just sharing how its done in a practical sense. The world doesn’t always make it easy for artist moms to continue on their journey once they’ve had a baby. The path suddenly gets very bumpy. The road bottoms out. You don’t know how to go on. I would read Dr. Seuss’s “Oh the Places You Go” to my daughter and think – Oh, this is real. This is exactly what I’m experiencing.

Seattle Harpist

When I had my daughter 8 years ago, I was really searching for some creative support written by and for someone like me. I didn’t find anything of the sort. Now I know of at least three podcasts: Rachel Zucker’s Commonplace; The Longest Shortest Time by Hilary Frank; and musician Laura Veirs’ Midnight Lightning. I still haven’t found any written material that deeply addresses how new mothers adjust their creative process and how to support it, which is not to say that it doesn’t exist. I just know I’d still like to read a book like that. However, when you are multi-tasking making dinner, a hands-free podcast is just the ticket! (and these three mentioned are great).

I used to have a more elaborate system of writing poetry and prose. I would handwrite in my journal, then transfer to a more refined notebook, then type it up, print it out, and workshop the writing. Since having children, I don’t have time to do practically any of that!

With a baby, I always feel like there’s a ticking timer at nap time. I try to squeeze in moments to write or practice, but I never know how long it will be. How long will my creative freedom last? If I start to record, will I be interrupted with a cry? Certainly, when kiddos are school-aged, time opens up. With more than one child, time must be blocked out with more commitment.

I create lists of how to prioritize. There is the weekly one and the daily list. For example today is – #1 practice music for gig tonight; #2 transcribe a piece for Sunday’s Mothers’ Day duet with pianist Josh Rawlings (that I can use for Harp Escape as well); #3 blast out my album to one agency; #4 write something. If I can do that much – that would be AMAZING! I always aim high. Sometimes only one thing gets accomplished, and if someone has a fever or a field trip, forget about it. I have to be real about the current daily situation of food, laundry, school lunch, diapers, etc. that I have.

When I had my first kiddo, I blended my writing and music together, sort of by accident. Once I stopped gigging late night shows, I began songwriting. The poetry morphed into lyrics instead. I had to become selective about what I said yes to. Would I take a club gig at 10pm? No way, not unless it paid well (ha ha ha). Eventually, people stopped asking me, but that’s ok. Because I changed.

I won’t lie. Sometimes I find myself lamenting over the artists who have more freedom than me. It takes so much time to polish a craft and I never feel like I have enough anymore. I don’t have a creative stuckness; I have a restriction. This is interesting though, because motherhood is also the blessing that allowed me to open up into a new form! When I stopped saying yes to all of the club gigs, I put my energy into songwriting. I started singing in public. I wrote enough songs to record an album. I formed a band (The Daphnes) and now I can be leader and call the shots to what fits my lifestyle. I probably wouldn’t have organized it all this way if it had not been for motherhood “restricting” me. Plus, it always seems like half of my songs are inspired in someway by the process of being mom. So – its a two-sided coin. A yin-yang.

I feel like its now or never these days, pretty much all the time. Its sort of Zen, but its also sort of desperate. I am very of the moment. After the baby boy fell asleep today, I checked my email and immediately blasted out a response which has turned into this blog post. It always feels so good to re-purpose something.

Being a musician mama means that I sometimes practice for 5 minutes with a squirming toddler in my lap, I cram in my own practice time between students, or I have to accept that I might be winging it at the gig a little more.

Its maddening! Its terrifying! Its exciting! Its the gift of a lifetime.

Music and Motherhood

Book of Lyrics

Did you see the full moon lunar eclipse last week? From my porch, I watched the moon fade to grey, then a bruised blue, disappearing entirely into the night sky. It became swallowed by a mystery, only to have a reddish, orange overtake its full shape in an hour. The blood moon.

The moon and I have a connection. Monica. Moni. Moonie. Moonbeam. These are some of the playful nicknames I have had.

Seattle Harpist
Swallowed by mystery

I go back to the moon often in my lyrics:
“moon I see you
shining down on me
by its you I see
slither underneath
Persephone”

This verse comes from my song, Mood Indigo, which is featured in Braids of Kabuya, book of lyrics. Made as a companion piece to The Daphnes album, Braids of Kabuya, this book of lyrics is a way to follow along with the music, and also enjoy as stand alone reading.

Where to buy the book?
My husband and creative partner, Stephen Schildbach, did the design and photography for the book. You can purchase the book in three places:
1) Online at Blurb: http://www.blurb.com/b/9107464-the-daphnes-braids-of-kabuya.
2) At Open Books: A Poem Emporium (on 45th in Seattle)
3) From me personally at upcoming shows

The Daphnes will be performing on February 27, 2019 at the North City Bistro and Wine Shop, 1520 NE 177th St., Shoreline, WA 98155. Tickets are $10.00. Reservations can be made by calling (206) 365-4447. For more information, go to http://northcitybistro.com and https://www.facebook.com/events/311458602811058.

The album, “Braids of Kabuya” can be purchased through CD Baby, Bandcamp, and
i-Tunes.

The Daphnes - Braids of Kabuya
The Daphnes – Braids of Kabuya