Music can be a tool to aid in healing and relaxation. Relaxing sounds encourage us to deepen our breathing, which in turn can encourage many positive side effects like deepened sleep, decreased anxiety, lower heart rate, and decreased stress. Playing harp music is something I do often as a healing modality for bedside therapy, funerals, rites of passage, and for my children when they are ill or need help falling asleep.
Below are ten ways to use sound and music to improve and heal your life. All of these suggestions include awareness of breath and augmenting of breath. So much of our own wellness is linked to breath.
Music can be a tool to aid in healing and relaxation. Practicing meditation, for example, can be enhanced with music. Relaxing sounds encourage us to deepen our breathing, which in turn can encourage many positive side effects like deepened sleep, decreased anxiety, lower heart rate, and decreased stress.
Below are 10 sounds that can significantly improve and heal your life. All of these suggestions include an awareness and augmentation of breath. So much of our wellness is linked to our breath.
Recently I taught a an online workshop with Atrium Health Foundation called “Improvising with Hildegard von Bingen.” The music is in conjunction with my forthcoming book by Mel Bay Publications, “Songs of Hildegard von Bingen for Harp.” Atrium Health host Kathleen Blackwell-Plank has been curating a valuable workshop series for therapeutic musicians for the past few years. I was asked to teach the class rather last minute as a substitute and was so glad to have participated. After a show of hands, I realized that even in the musical community only half of people know who Hildegard von Bingen is.
So… Who was Hildegard von Bingen?
Hildegard von Bingen (1098-1179) was born in Germany during the Middle Ages, at a time when education and literacy were controlled by the Catholic Church. The tenth child in her family, Hildegard was “given” as a tithing to the church, not an uncommon practice of the time. When she was 14, she was sent to live a life of religious devotion in Disibodenberg. At the convent, she prayed, wrote, and only had access to the outside world through the view of a single window.
When her main caretaker, Jutta, died in 1136, Hildegard was appointed prioress of the abbey. It was during that time that she began writing music. Despite her claim of lacking formal training in either the Latin language or music, Hildegard produced songs that were equal to those written by the most admired men of the Middle Ages. A woman of letters, she often communicated directly with clergy of the church, including Pope Eugene III, who encouraged her to continue writing music and poetry. She went on to write several books about religion, art, politics, philosophy, science, medicine, and herbs.
Hildegard had visions that she called “reflections of the living light,” and she painted what she saw. She suffered from headaches and some scholars of her writing suspect that she may have She had many visitors at the abbey who claimed that she was able to heal them though touch and with her knowledge of herbal medicine. In time, she had so many visitors, that a larger venue was needed. The church relocated her to an abbey of her own, in Bingen, where she was able to attend to more people. She died there at the age of 81.
What did her music sound like?
Monophonic (single line melody), choral, sung in Latin, modal (most often in Dorian, Phrygian, and Mixolydian modes), natural minor keys, Gregorian Chant
How does this music translate to the harp?
Beautifully! Hildegard’s music is often in modes and have minimal lever changes.
We are not learning music to be perfect. We are learning music to enjoy the process of playing. We are learning music to develop a skill. Let go of judgement! If you are hearing an inner musical critic and it feels like negative judgement, drop it. Let it go. You don’t want to be holding unto so much baggage.
If that seems too easily said, imagine that your fingers are actually holding onto little bags of judgment (from past/current teachers, conductors, peers, recording engineers, yourself, reviewers, parents, friends, neighbors, etc.). Imagine that these little critiques, each in a bag on your fingers, are weighing you down. They are slowing down your playing. That negativity is taking up physical space and you need to free it up!
Question: What if you got rid of that inner music critic? Answer: Your hands would feel the freedom to put your fingers on the actual notes you need to play.
Drop the mental comment section. Close down the critiques that don’t make you a better player. You can throw them away in the trash bin over there. Now, locate the comments that do help – the ones that say “don’t give up,” or “there now – that wasn’t so hard!”
You can keep the helpful comments, but put them in a safe place at a distance, like picture in a frame. Remember, you want to feel lighter. You want to free up your fingers to do the playing that you were called to do in the first place.
You have work to do. Your work is playful and exploratory.
You are practicing the process of showing up and being ready to play music. Playing music is not about perfection, so much as the journey you take to a place where the playing feels good! This is the work you love to do. By freeing your fingers, you are already doing what you need to do. Now, you are ready to practice!
We come to rituals to commemorate a moment in time, an event, or a loved one: a birth, love, a death. Often music plays a part in these rituals. Harp music in particular can be a meaningful addition to any ceremony. My work playing music for several decades at rites of passage and ceremonies of all sorts has given me a unique perspective on the process of ritual.
I have played harp since 1990, and I have been studying music earlier than that. As a young Catholic child, I was introduced to many ceremonies of the church – for holidays, feast days, seasons of the year, and of course, various passages of human life: birth, graduation, marriage, anniversary, and death. Since then, I would guess I’ve played music for nearly 600 weddings, and 500 funerals, memorials, and vigils.
Often, when music is a part of a reverent ceremony, it is a service, rather than entertainment. For instance, when I worked for Providence Hospice as a complementary therapist, I played harp for clients whose life might be on the threshold of death at any minute. There are certain styles and sounds that are most effective at this time. Sometimes my client didn’t have any loved ones present, so the gift of music meant all the more to them.
I tell you what: variety is in this end of year concert calendar. As 2023 winds to a close I’ve got a few concerts, each quite different from the other!
First up Nov 16 – 19 Thin Skin the movie – screening in Seattle,Los Angeles,NYC (Brooklyn) Once upon a time I was in a band and that led to another band that led to the leader adding a comedic monologue to his body of musical work. That person is Ahamefule Oluo. His Off Broadway play, Now I’m Fine, became fodder for the movie Thin Skin, now showing in three cities! Follow here for more information.
Next is a variety show: Dec 2 Bouquet Bouquet – Artist salon night of music, poetry, dance, lecture, and prose curated by poet Kary Wayson 7pm Antique Sandwich Shop 5102 N Pearl St. Tacoma, WA
Winter Solstice shopping: Dec 21 Solo Harp Everett Mall – I will be playing harp next to Santa 1402 SE Everett Mall Way, Everett, WA 98208
I’m excited to offer two in person workshops coming up in October at Dusty Strings Music School in Seattle (Fremont). Both of these group classes are for the beginner to intermediate harpist.
Sat, Oct 7 – Introduction to Harp Therapy More and more, harpists are lending their hearts and talents to playing healing music, as well as seeking certification to play at the bedside from accredited programs recognized by the National Standards Board of Therapeutic Musicians. In this class, you’ll explore effective styles, modes, and songs to benefit your repertoire, as well as what kind of training you’ll need to play music in health-care facilities.
Skills Needed: For the advanced beginner to intermediate-level player. You should have base of songs you know and a desire to learn new styles for therapy harp. This workshop is designed for those new to therapeutic harp, as well as those in certification programs. It does not certify you to play music at the bedside, but you will learn tools from a Certified Clinical Musician and gain access to references and resources to enrich your harp therapy journey.
Sat, Oct 21 – Three Celtic Strains Join this class for a fun, creative approach to learning more about harp! Irish music tradition recognizes Three Noble Strains, or styles, of playing harp—joy, sorry, and sleep. In this workshop, you’ll learn what these strains are, what they mean, and how to apply them to harp music. You’ll participate in a Celtic Circle of Song, which focuses on chord progressions and playing freely, and add new tunes to your repertoire.
Skills Needed: For the advanced beginner to intermediate-level player. You should have base of songs you know and a desire to broaden your musicality. You do not need to know how to read music, though knowledge of chord charts and some notation is handy.
Harp is an instrument synonymous with peace and love. Harp also soothes and heals, alleviating emotional grief, physical distress, anxiety, and exhaustion. As a harpist, I enjoy offering funeral music for clients who have lost a loved one. I’ve studied the musical styles and songs that work well in the situation of death, such as ambient music. I can also play music that fits your family’s individual requests.
I have written compositions for the intention of creating peace of mind and healing. This relaxing style of music, by nature, helps to alleviate grief, stress, and other emotions associated with coping with death. Also, I have arranged a collection of Hildegard von Bingen’s songs, who was a Medieval plant medicine healer, spiritual leader, artist, musician, and composer.
I am always glad to accommodate requests of the family as best as I can within the time frame of the event. For a traditional church memorial, I may be asked to play hymns, like “Into the Garden,” or “Amazing Grace,” as well as accompany a vocalist. For a modern request, I have played songs by Sting and Michael Jackson at a memorial, because those songs were favorites of the deceased. Cultural folk songs might also be another request if the person was an immigrant or felt close to their ethnic heritage.
Sometimes though, it is best to play non-familiar songs for the sake of a family’s grief, particularly if the cause of death was tragic. In this case, songs that serve more as background music are better, because they conjure up less of an emotional reaction at a time that might already be too difficult for loved ones to bear. When this is the situation, I play ambient non-familiar music to be as soothing as possible, as I would in a hospital or hospice – a skill I learned as Certified Therapeutic Musician.
Gravesite burials are something I enjoy playing harp for when I am able to, and when weather allows. I have a very small harp that I use in these moments, but I can also bring my 34 string folk harp in the summer months. For many funerals, I have played harp at both the indoor memorial, and graveside location back-to-back on the same day, a scenario that works well at a traditional funeral home with attached cemetery.
Plenty of people don’t want religious music at a funeral, and I have repertoire for them too. I am quite comfortable with traditional and non-traditional situations around death. I know how to seamlessly weave songs together if there is to be an event with little to no speaking.
I have been studying funeral music since 1995 when I played church organ at the funeral of a friend’s father, and I have been studying music much longer. Since 2012 I have studied and worked as a therapeutic musician, so that I can provide music as an in-person healing modality.
Places where I have experience and training to play harp music for death and dying:
Bedside vigil of someone actively passing on
Hospital and Hospice care
Group memorial ceremony (for funeral home or healthcare organization)
Individual memorial (in funeral home or columbarium)
Gravesite burial
Funeral home wake/visitation
Celebration of life
Combination of funeral home ceremony + gravesite relocation
Previously posted (May 10, 2021), this article has been published in Harp Therapy Journal vol. 28, No. 2 Summer 2023
There are many ways to make your practice session more meaningful. I’m going to suggest five methods to make your practicing at music a healing process. A good way is to get started with an open mind. Begin with no worries of mistakes, for that will paralyze you from the get go. Besides, mistake are a part of life, we all make them, so you might as well just stay positive. Best to start with some advice from Benjamin Franklin, “Do not anticipate trouble or worry about what may never happen. Keep in the sunlight.”
Let Go
I love hearing and watching a student play through a song in its entirety for the first time during a private harp lesson. As I listen, I’m also watching for other details.That initial play-through, shows a musician’s excitement or nervousness, where the smooth parts and the rocky parts are in the song for them, and how they physically play, hopefully moving in a flow and not being stiff.
During a recent Zoom lesson with an adult student, I noticed that she was holding her breath. To a teacher, this is nothing new. As a young student myself I did this, along with crunching up my face, in concentration. Sometimes, when we focus on one area of the body, like our hands, when we make music, we might stiffen up other “unused” areas of the body, like our face or back. The illusion is that we actually are using all of our body to play.
After the student finished playing, she asked me how she could improve. She was at the point in practicing where she was getting the notes correct and playing with dynamics, but there was something missing. I asked, “Are you holding your breath?”
The harp is a beautiful instrument. The harp is also an impractical instrument. I should know. I had to buy a smaller harp when I had my second child, just so I could fit my whole family in the car with my instrument at the same time! Of course I think it is worth it. The harp is ancient, dreamy, and relaxing. It calls to many musicians and non-musicians. For over thirty years I have been gravitated to it’s magical call.
For these overly-practical times, these ship-sinking-times, I want to watch escapist movies like La La Land. When the pandemic hit, and I was making Harp Escape videos a little more frequently, I wanted to pay tribute to the wonderful soundtrack Justin Hurwitz created for this romantic story that payed homage to the Golden Age of film.
City of Stars (from La La Land)
Harp Escape is a series of videos and recordings dedicated to relaxing and calming music. One of my biggest goals of Harp Escape is to bring a breath of relaxation into your environment. Because we are living in such an unusual time, stress levels can be high. It is difficult to plan, and life can be downright hopeless feeling some days. Therefore, it is essential for us to take breaks throughout the day and, as I like to say, floss your ears. For more Harp Escape videos and music, visit YouTube and Patreon.
We have added more items up in my Harp Escape Shop! If you didn’t see the 30 day Instagram challenge I did in Feb/Mar you might have missed this gorgeous illustration by Stephen Schildbach. Harp Nouveau was inspired by Aubry Beardsley’s art (but I suppose also being married to me)! Now, you too can own a beautiful cotton tote bag with this lovely harp art nouveau design. $20
Harp Nouveau Tote Bag $20
For harpists, I have sheet music for sale. With the song “What the River Says/Aer Enim” you get two for the price of one. Both pieces are arranged for lever and/or pedal harp. This sheet music is for the intermediate harpist in the key of Eb (folk harpers will have to do some extra tuning for this!). This sheet music is for sale for $8.
My tune “What the River Says” is based on the Wm. Stafford poem, Ask Me. The second song, seamlessly merged with the first, was composed by Hildegard von Bingen. If you aren’t familiar with her work, she lived most of her life during the 12th Century, and is considered by many to be the first female composer of Western music. Born in Germany in 1098, Hildegard von Bingen composed music, wrote poetry, and also wrote several books about religion, art, politics, philosophy, science, medicine, and herbs.
This is just the first of many Hildegard von Bingen songs made available to you. I’m arranging an entire collection of her songs for lever harp, coming out next year by Mel Bay Publishing! Some students and friends may already know this. And chances are if you’ve hired me to play a memorial service or quiet ritual, you have heard me play one of these. As I complete working on the book, I’ll be sharing more with you.
What the River Says / Aer Enim Sheet Music (4pgs) $8
And speaking of writing a book… I’ve recently had a poem published! April is National Poetry Month after all, and it feels like a good time to share this. The lengthy title, Poem for My Unborn Boy at the Ballard Locks One Day Before His Birth, (published by Literary Mama) sums up the theme of the poem quite thoroughly. For anyone who has waited for the birth of their child, my go-to technique to get moving 5years ago with my son, was walking stairs at the Locks, over and over again.
The Harp Escape Shop will be undergoing more transformation in the coming months. Feel free to contact me if you run into any bumps in the process.
