Harp Side of the Moon Harp Escape vol. 12

Get ready for a Pink Floyd reference; we’re going to the harp side of the moon. Harp Escape vol. 12 is “A Saucerful of Secrets” by Pink Floyd. I started Harp Escape videos in 2019, before the pandemic hit our world, because even then, I thought we need the space to heal ourselves. Times have definitely gotten more complex and stressful, so I continue to make therapeutic harp music on YouTube.

Specifically, Harp Escape is relaxing music that provides an aural getaway. Harp Escape is created just for you to: get ready for bed, practice yoga, meditate, nap, read, and add quiet to your daily personal rituals.

Monica Schley wedding harpist Seattle Tacoma harp therapy healthcare music teacher jazz music

Calming music of this nature has been scientifically proven to increase deep breathing, which in turn increases blood flow, decreases stress, and promotes deeper sleep. I prepared this song in the style and manner as I would play it at the therapeutic bedside, so this song is at a particularly slow tempo, and intended for deep relaxing. By finding inner peace, we get to outer peace.

That said, I’m not feeling so great today. This is my third cold of the winter and I’m in bed at 8:30pm. I hope to feel better by Saturday, so I can play my gig at Muckleshoot Casino (a totally different style of music I play!).

Because my brain was at half-mast today with this cold, I tried unsuccessfully to write this blog several times. The funny thing about my version of the Pink Floyd song, I started to second guess myself that it was the correct song title.

I saved the video as “A Saucerful of Secrets” – a song by the same name from their 1968 album. My video has been up on YouTube since 2021 and is one of my least popular videos. I thought it might just be too obscure and atonal, both fair assumptions. Then I listened again to their song “Echos” on the album Meddle. They two songs sounded so similar. Had I put up the video with the wrong title? Did I have a cold back in 2021 too when I did all this work?

I’m really second-guessing myself in this foggy cold brain of mine. After re-listening to both songs, I do the know the correct answer, but if you want to chime up, let me know –  is this song “Echos” from Pink Floyd’s album Meddle, or “A Saucerful of Secrets?”

Either way, I hope this volume of Harp Escape brings some intentional results of peace of mind and relaxation. If you want to know more about these videos, please subscribe to the Harp Escape YouTube channel.

Harp Escape vol. 11 (What the River Says / Aer Enim)

For Harp Escape vol. 11, I played two songs: What the River Says and Aer Enim. Both of the songs have a river theme.

If you like this music, you can purchase an arrangement of this medley on my website here or at SheetMusicPlus.com

Monica Schley, Seattle Tacoma harp teacher therapy music What the River Says William Stafford
Continue reading “Harp Escape vol. 11 (What the River Says / Aer Enim)”

One Summer’s Day As a Harpist

This is one summer’s day as a harpist. I couldn’t ask for more perfection weather-wise. Blue on blue. Gentle waves and breeze. Seventy degrees. My ferry docks and so begins my work day.

The Arrival

Today’s wedding is in Issaquah at a mansion/estate/farm on a once mellow country road. Now, there are paragliders floating down the blue mountain foothills in the distance. Next to that, is a park and ride, full of RVs and cars, from tourists, commuters, and some probably camping out. The traffic is a non-stop flow of suburban stop and go.

On the drive there, I think to write a theme in B, calling it “Blue Cascade.” But I am looking for my exit, not a melody. Perhaps this will make a nice assignment for myself later.

Continue reading “One Summer’s Day As a Harpist”

On Singing (to Children) at Home

My grandmother (my father’s mother) loved singing while she cooked. Folk songs, church songs, musical theater numbers, whatever popular songs were on the radio at the time – that’s what she sang throughout the day as she did her daily housework. Because it was the 1980’s, I’d hear Linda Ronstadt and Barbara Streisand, Dolly & Kenny mixed in with church hymns. My favorite time of year was Christmas. My aunt played at the piano (and later me), while Gramma, my other aunts, my dad, uncle, and cousins sang in four-part harmony. It felt casual in her house, yet magical to think that our own voices together could make such wonderous music together.

Simple pleasures: campfire songs. There was Jim Croce, Bob Dylan, my dad and his cousins bellowing out “Mr. Bojangles” after a couple of beers. Gramma liked the folk tunes: Red River Valley, Shenendoah, Edelweiss.  She’d sing silly songs too, songs I’d only heard in Betty Boop cartoons, old-fashioned, from a time two generations before me. She’d sing “shoe fly pie and apple pan dowdie makes your eyes light up and your tummy say howdee.” These lyrics were famously amusing to my siblings and me. This one she’d sing while mixing up dough and peeling apple skins. Later, while we at it, ice cream dripping down our chins.

After my grandmother died, I asked my dad what songs she had sung to him as a little boy. He remembered “Nature Boy,” the old Nat King Cole song.

Today, I listened to a podcast from Jeralyn Glass about the healing effects of humming. Even without knowing words or melody to a song, the sound of a simple hum tells the body to create more oxygen and less cortisol (the stress hormone). After a headache, I hum various pitches to make the place in my forehead that hurts, vibrate some. This is, I know from my studies as a Certified Clinical Musician, a type of entrainment. One of the most fascinating stories of entrainment is that of Dutch scientist Christiian Huygens in 1665. His is a famous of example of how two clock pendulums swinging in different began to match in rhythm. In the case of this century’s old science experiment, two inanimate objects have proven that they can synch up in rhythmic time. In my case, I apply my humming voice like salve to sooth the physical pain.

I hum after the most painful part of my headache has subsided. I move my hum up and down in  pitch and volume until it finds a match on the left side of my head. In that place, the hum replaces the witless state of my mind with a gentle touch.

Lately, I have gotten into the habit of playing the radio a lot in the kitchen while I cook and my son plays other side of the room. We keep one another company with the radio songs of my choice (new harp tracks, jazz, classical, the local independent station that plays roots, rock & soul) or his requests – soundtracks to Studio Ghibli or Star Wars movies. I haven’t been singing as much.

After my headache and humming episode, I feel inspired to sing. When my son gets home from school I hum “Nature Boy.” Then, I lazily find the words. Maybe I can remember them? Knowing the words doesn’t really seem to matter while humming. Nature Boy is a short song with a melancholy feel.

My son asks, “What song is that?”  

I tell him it’s a song whose notes sound sad, but the words are about a magical boy. The lyrics have a beautiful message about life. The word for that is bittersweet. Bitter for the way the song sounds, but sweet because of the message in the words: “the greatest thing you’ll ever learn is just to love, and be loved in return.”

Harp Escape vol. 9 (The Dorian Suite)

In my YouTube series Harp Escape, vol. 9 features (The Dorian Suite), a song I wrote in honor of my young son. Born in 2017, he was just a toddler when the Pandemic hit, and I wrote this song. At the time I was an artist-in-residence at Nalanda West in Seattle, a Buddhist retreat center. There, I spent hours in quietude composing, meditating, and writing in my journal. (Months before wrote a poem inspired by my new baby, later published in Literary Mama.)

When the world was experiencing early signs of the virus, before lockdown, I was at the Nalanda West a couple days a week. It was a place for me to find peace with the unknown. Any parent with young children can tell you, finding time to oneself is a precious commodity. There are many shifts throughout the day, hour by hour, minute by minute. Music and writing have always been a tool for me to get to a happy place and connect with myself and my place in the world. Through searching, through writing music and words, I was able to find an expression for the time and space of 2020, personally and globally. That is a lot of what this song is about.

This piece has several shifts: from Dorian mode to a relative minor (B minor). The meter, or rhythm, changes back and forth from 4/4 to 3/4 time. This is a musical metaphor for how I felt pulled to and fro, as mom, as musician, as person comfortable in the world, as a person uncomfortable in the world.

Here you can listen to Harp Escape vol. 9 (The Dorian Suite).

Harp Escape vol. 9 (The Dorian Suite)

Sheet music for The Dorian Suite, available now at Sheetmusicdirect.com!