A Wedding that Led to Love at a Crossroads

Once, I was booked for a wedding that led to love at a crossroads. Back then, I lived in an easy-to-get-to Seattle neighborhood. I had a home studio that I used for teaching harp lessons at the back of my house, and I also had wedding couples visit me there for in-person consultations, which was a popular perk that people took me up on.

Before the Wedding

One couple came to see me a few months before their wedding. They told me a few songs they liked and wanted to hear me play them. I also played a few of my suggestions, and we made a plan for their processional and recessional (arguably the two main songs of a wedding ceremony).

The week of the wedding arrived. Customarily, I do a check-in with my client 1-2 days before the event to confirm the details I cannot err on: arrival time, play time, and song details to name a few. I spoke with the bride, and everything was good to go!

Continue reading “A Wedding that Led to Love at a Crossroads”

Harp Side of the Moon Harp Escape vol. 12

Get ready for a Pink Floyd reference; we’re going to the harp side of the moon. Harp Escape vol. 12 is “A Saucerful of Secrets” by Pink Floyd. I started Harp Escape videos in 2019, before the pandemic hit our world, because even then, I thought we need the space to heal ourselves. Times have definitely gotten more complex and stressful, so I continue to make therapeutic harp music on YouTube.

Specifically, Harp Escape is relaxing music that provides an aural getaway. Harp Escape is created just for you to: get ready for bed, practice yoga, meditate, nap, read, and add quiet to your daily personal rituals.

Monica Schley wedding harpist Seattle Tacoma harp therapy healthcare music teacher jazz music

Calming music of this nature has been scientifically proven to increase deep breathing, which in turn increases blood flow, decreases stress, and promotes deeper sleep. I prepared this song in the style and manner as I would play it at the therapeutic bedside, so this song is at a particularly slow tempo, and intended for deep relaxing. By finding inner peace, we get to outer peace.

That said, I’m not feeling so great today. This is my third cold of the winter and I’m in bed at 8:30pm. I hope to feel better by Saturday, so I can play my gig at Muckleshoot Casino (a totally different style of music I play!).

Because my brain was at half-mast today with this cold, I tried unsuccessfully to write this blog several times. The funny thing about my version of the Pink Floyd song, I started to second guess myself that it was the correct song title.

I saved the video as “A Saucerful of Secrets” – a song by the same name from their 1968 album. My video has been up on YouTube since 2021 and is one of my least popular videos. I thought it might just be too obscure and atonal, both fair assumptions. Then I listened again to their song “Echos” on the album Meddle. They two songs sounded so similar. Had I put up the video with the wrong title? Did I have a cold back in 2021 too when I did all this work?

I’m really second-guessing myself in this foggy cold brain of mine. After re-listening to both songs, I do the know the correct answer, but if you want to chime up, let me know –  is this song “Echos” from Pink Floyd’s album Meddle, or “A Saucerful of Secrets?”

Either way, I hope this volume of Harp Escape brings some intentional results of peace of mind and relaxation. If you want to know more about these videos, please subscribe to the Harp Escape YouTube channel.

Harp Escape vol. 10 (Fly Me to the Moon)

For Harp Escape volume 10, I played Fly Me to the Moon, the well-known jazz standard by Bart Howard. Originally, Harp Escape vol. 10 was recorded during quarantine times for a feel-good relaxing offering of harp music. I did a mix of contemporary cover songs, traditional Irish, classical, and this jazz tune.

Continue reading “Harp Escape vol. 10 (Fly Me to the Moon)”

How To Publish A Book of Sheet Music

this article is published in April 2025 issue of Musicland, newsletter of the Musicians Association of Seattle

Many musicians, especially those who have taken music history classes and read sheet music, are aware of who Hildegard von Bingen was. I was first introduced to Hildegard’s music as a teenager by my organ teacher, when I was playing for mass. Fast forward a few years, and I went to university where I heard about her again (in music history). I even ended up writing a paper on her. Thirdly, I came across Hildegard’s music when I played harp in hospital and hospice as a Certified Clinical Musician.

Who Was Hildegard von Bingen?

Hildegard von Bingen lived from 1098-1179 in Germany during the Middle Ages, at a time when education and literacy were controlled by the Catholic Church. Hildegard was “given” as a tithing to the church, not an uncommon practice of the time. When she was 14, she was sent to live a life of religious devotion in Disibodenberg.

Continue reading “How To Publish A Book of Sheet Music”

On Singing (to Children) at Home

My grandmother (my father’s mother) loved singing while she cooked. Folk songs, church songs, musical theater numbers, whatever popular songs were on the radio at the time – that’s what she sang throughout the day as she did her daily housework. Because it was the 1980’s, I’d hear Linda Ronstadt and Barbara Streisand, Dolly & Kenny mixed in with church hymns. My favorite time of year was Christmas. My aunt played at the piano (and later me), while Gramma, my other aunts, my dad, uncle, and cousins sang in four-part harmony. It felt casual in her house, yet magical to think that our own voices together could make such wonderous music together.

Simple pleasures: campfire songs. There was Jim Croce, Bob Dylan, my dad and his cousins bellowing out “Mr. Bojangles” after a couple of beers. Gramma liked the folk tunes: Red River Valley, Shenendoah, Edelweiss.  She’d sing silly songs too, songs I’d only heard in Betty Boop cartoons, old-fashioned, from a time two generations before me. She’d sing “shoe fly pie and apple pan dowdie makes your eyes light up and your tummy say howdee.” These lyrics were famously amusing to my siblings and me. This one she’d sing while mixing up dough and peeling apple skins. Later, while we at it, ice cream dripping down our chins.

After my grandmother died, I asked my dad what songs she had sung to him as a little boy. He remembered “Nature Boy,” the old Nat King Cole song.

Today, I listened to a podcast from Jeralyn Glass about the healing effects of humming. Even without knowing words or melody to a song, the sound of a simple hum tells the body to create more oxygen and less cortisol (the stress hormone). After a headache, I hum various pitches to make the place in my forehead that hurts, vibrate some. This is, I know from my studies as a Certified Clinical Musician, a type of entrainment. One of the most fascinating stories of entrainment is that of Dutch scientist Christiian Huygens in 1665. His is a famous of example of how two clock pendulums swinging in different began to match in rhythm. In the case of this century’s old science experiment, two inanimate objects have proven that they can synch up in rhythmic time. In my case, I apply my humming voice like salve to sooth the physical pain.

I hum after the most painful part of my headache has subsided. I move my hum up and down in  pitch and volume until it finds a match on the left side of my head. In that place, the hum replaces the witless state of my mind with a gentle touch.

Lately, I have gotten into the habit of playing the radio a lot in the kitchen while I cook and my son plays other side of the room. We keep one another company with the radio songs of my choice (new harp tracks, jazz, classical, the local independent station that plays roots, rock & soul) or his requests – soundtracks to Studio Ghibli or Star Wars movies. I haven’t been singing as much.

After my headache and humming episode, I feel inspired to sing. When my son gets home from school I hum “Nature Boy.” Then, I lazily find the words. Maybe I can remember them? Knowing the words doesn’t really seem to matter while humming. Nature Boy is a short song with a melancholy feel.

My son asks, “What song is that?”  

I tell him it’s a song whose notes sound sad, but the words are about a magical boy. The lyrics have a beautiful message about life. The word for that is bittersweet. Bitter for the way the song sounds, but sweet because of the message in the words: “the greatest thing you’ll ever learn is just to love, and be loved in return.”