A Wedding that Led to Love at a Crossroads

Once, I was booked for a wedding that led to love at a crossroads. Back then, I lived in an easy-to-get-to Seattle neighborhood. I had a home studio that I used for teaching harp lessons at the back of my house, and I also had wedding couples visit me there for in-person consultations, which was a popular perk that people took me up on.

Before the Wedding

One couple came to see me a few months before their wedding. They told me a few songs they liked and wanted to hear me play them. I also played a few of my suggestions, and we made a plan for their processional and recessional (arguably the two main songs of a wedding ceremony).

The week of the wedding arrived. Customarily, I do a check-in with my client 1-2 days before the event to confirm the details I cannot err on: arrival time, play time, and song details to name a few. I spoke with the bride, and everything was good to go!

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My First Wedding Gig on the Harp

My first wedding gig on the harp lead me to learn two of the most traditionally popular pieces of wedding music of all time. Lapiz lazuli was the color of the sky of the stained glass window next to me in the church. When I was 17 years old, I had been playing the harp for three years, and I had a decade of piano experience. Also, I had been playing pipe organ for mass since the 7th grade, so I had a pretty good understanding of how ceremony worked.

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One Summer’s Day As a Harpist

This is one summer’s day as a harpist. I couldn’t ask for more perfection weather-wise. Blue on blue. Gentle waves and breeze. Seventy degrees. My ferry docks and so begins my work day.

The Arrival

Today’s wedding is in Issaquah at a mansion/estate/farm on a once mellow country road. Now, there are paragliders floating down the blue mountain foothills in the distance. Next to that, is a park and ride, full of RVs and cars, from tourists, commuters, and some probably camping out. The traffic is a non-stop flow of suburban stop and go.

On the drive there, I think to write a theme in B, calling it “Blue Cascade.” But I am looking for my exit, not a melody. Perhaps this will make a nice assignment for myself later.

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Weather Report on Orange on the Radio

I had the wonderful opportunity to read my poem, Weather Report on Orange, on the radio thanks to Vashon Island Poet Laureate Margaret Roncone. “Return to Light” features 10 island poets and will be broadcast at 12 o’clock noon on the Winter Solstice, Thursday, Dec. 21, 2023. I am grateful to Margaret, the other poets, and show host, Susan McCabe for this fun opportunity!

The winter solstice is a time for reflection and appreciation of the season, so give yourself a moment of quiet joy during this busy time and tune into KVSH. You can find it online at Voice of Vashon. The show will be available to listen to on the website for 2 weeks. After that, poof!

If you are reading this post after the timeframe has past, you can still read it here:

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You Need Harp Music for Rituals and Rites of Passage

We come to rituals to commemorate a moment in time, an event, or a loved one: a birth, love, a death. Often music plays a part in these rituals. Harp music in particular can be a meaningful addition to any ceremony. You need harp music for rituals and rites of passage. My work playing music for several decades at rites of passage and ceremonies of all sorts has given me a unique perspective on the process of ritual.

I have played harp since 1990, and I have been studying music earlier than that. As a young Catholic child, I was introduced to many ceremonies of the church – for holidays, feast days, seasons of the year, and of course, various passages of human life: birth, graduation, marriage, anniversary, and death. Since then, I would guess I’ve played music for nearly 600 weddings, and 500 funerals, memorials, and vigils.

Winter Solstice Ritual

Often, when music is a part of a reverent ceremony, it is a service, rather than entertainment. For instance, when I worked for Providence Hospice as a complementary therapist, I played harp for clients whose life might be on the threshold of death at any minute. There are certain styles and sounds that are most effective at this time. Sometimes my client didn’t have any loved ones present, so the gift of music meant all the more to them.

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