5 Ways How to Make Practicing Music a Healing Process

Previously posted (May 10, 2021), this article has been published in Harp Therapy Journal vol. 28, No. 2 Summer 2023

There are many ways of how to make practicing music a healing process. I’m going to suggest five methods to make your practicing at music a healing process. A good way is to get started with an open mind. Begin with no worries of mistakes, for that will paralyze you from the get go. Besides, mistake are a part of life, we all make them, so you might as well just stay positive. Best to start with some advice from Benjamin Franklin, “Do not anticipate trouble or worry about what may never happen. Keep in the sunlight.”

Let Go

I love hearing and watching a student play through a song in its entirety for the first time during a private harp lesson. As I listen, I’m also watching for other details.That initial play-through, shows a musician’s excitement or nervousness, where the smooth parts and the rocky parts are in the song for them, and how they physically play, hopefully moving in a flow and not being stiff.

During a recent Zoom lesson with an adult student, I noticed that she was holding her breath. To a teacher, this is nothing new. As a young student myself I did this, along with crunching up my face, in concentration. Sometimes, when we focus on one area of the body, like our hands, when we make music, we might stiffen up other “unused” areas of the body, like our face or back. The illusion is that we actually are using all of our body to play.

After the student finished playing, she asked me how she could improve. She was at the point in practicing where she was getting the notes correct and playing with dynamics, but there was something missing. I asked, “Are you holding your breath?”

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Harp Escape vol. 8 (City of Stars)

For Harp Escape volume 8, I played City of Stars from the movie La La Land. The harp is a beautiful instrument. The harp is also an impractical instrument. I should know. I had to buy a smaller harp when I had my second child, just so I could fit my whole family in the car with my instrument at the same time! Of course I think it is worth it. The harp is ancient, dreamy, and relaxing. It calls to many musicians and non-musicians. For over thirty years I have been gravitated to it’s magical call.

For these overly-practical times, these ship-sinking-times, I want to watch escapist movies like La La Land. When the pandemic hit, and I was making Harp Escape videos a little more frequently, I wanted to pay tribute to the wonderful soundtrack Justin Hurwitz created for this romantic story that payed homage to the Golden Age of film.

City of Stars (from La La Land)

Harp Escape is a series of videos and recordings dedicated to relaxing and calming music. One of my biggest goals of Harp Escape is to bring a breath of relaxation into your environment. Because we are living in such an unusual time, stress levels can be high. It is difficult to plan, and life can be downright hopeless feeling some days. Therefore, it is essential for us to take breaks throughout the day and, as I like to say, floss your ears. For more Harp Escape videos and music, visit YouTube and Patreon.

Harp Escape vol. 8 (City of Stars)

On Writing and Shopping at Harp Escape Shop

We have added more items up in my Harp Escape Shop! If you didn’t see the 30 day Instagram challenge I did in Feb/Mar you might have missed this gorgeous illustration by Stephen Schildbach. Harp Nouveau was inspired by Aubry Beardsley’s art (but I suppose also being married to me)! Now, you too can own a beautiful cotton tote bag with this lovely harp art nouveau design. $20

Art Nouveau Canvas Tote Bag
Harp Nouveau Tote Bag $20

For harpists, I have sheet music for sale. With the song “What the River Says/Aer Enim” you get two for the price of one. Both pieces are arranged for lever and/or pedal harp. This sheet music is for the intermediate harpist in the key of Eb (folk harpers will have to do some extra tuning for this!). This sheet music is for sale for $8.

My tune “What the River Says” is based on the Wm. Stafford poem, Ask Me. The second song, seamlessly merged with the first, was composed by Hildegard von Bingen. If you aren’t familiar with her work, she lived most of her life during the 12th Century, and is considered by many to be the first female composer of Western music. Born in Germany in 1098, Hildegard von Bingen composed music, wrote poetry, and also wrote several books about religion, art, politics, philosophy, science, medicine, and herbs.

This is just the first of many Hildegard von Bingen songs made available to you. I’m arranging an entire collection of her songs for lever harp, coming out next year by Mel Bay Publishing! Some students and friends may already know this. And chances are if you’ve hired me to play a memorial service or quiet ritual, you have heard me play one of these. As I complete working on the book, I’ll be sharing more with you.

Seattle Harpist
What the River Says / Aer Enim Sheet Music (4pgs) $8

And speaking of writing a book… I’ve recently had a poem published! April is National Poetry Month after all, and it feels like a good time to share this. The lengthy title, Poem for My Unborn Boy at the Ballard Locks One Day Before His Birth, (published by Literary Mama) sums up the theme of the poem quite thoroughly. For anyone who has waited for the birth of their child, my go-to technique to get moving 5years ago with my son, was walking stairs at the Locks, over and over again.

The Harp Escape Shop will be undergoing more transformation in the coming months. Feel free to contact me if you run into any bumps in the process.

How to Pick Out Wedding Ceremony Songs

I played my first wedding ceremony while I was in high school, for young friends in love who hired me to play Pachelbel’s Canon on harp. It was a traditional church wedding, and since then, I can estimate I’ve played over 500 weddings. It certainly is something I enjoy offering to others and I feel honored to be invited to play music for these ceremonies.

The first thing I always ask my clients when they are choosing wedding music is: what is the general feel of your wedding? A wedding theme can help a bride and groom pick out songs, and it can help me better understand who they are as a couple. Is the ceremony rustic? Is it upscale? Boho? A traditional church ceremony? Is there a cultural theme?

Seattle Harpist
A rustic forest wedding playing duets with Maria Scherer Wilson
(Hood Canal, 2022)

Answers to these questions help narrow in the vibe that the music will create. A rustic farm wedding might call for Americana or Irish folk songs. An upscale downtown hotel might call for classical pieces or jazz. A traditional church wedding will likely involve Bach and pieces you might think of synonymous with weddings (Here Comes the Bride/Bridal March) as well as religious. Finally, a culturally themed wedding will include songs from that nationality or region of the world. For instance, a Chinese wedding might include old world folk songs like Cherry Blossom, with a modern flair like video game songs, or movie theme music. For a traditional Indian wedding, I improvised a lot in Eastern keys.

The next question I ask a couple, and perhaps more obvious, is what kind of music do you like?

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Harp Escape vol. 7 (Banish Misfortune)

Volume 7 of Harp Escape features two traditional Irish songs in a therapeutic harp style: Banish Misfortune and The Parting Glass. Therapeutic music is an art based on the science of sound. It it typically slow and simple, for easy listening. For the past decade, I’ve been focusing much of my time on soothing music of this nature. As a Certified Clinical Musician, I have played music at the bedside for over 500 patients in outpatient dialysis clinics; general hospital; skilled nursing facilities; and for hospice.

Harp Escape is a series of videos and recordings dedicated to relaxing music. Therapeutic music is preferably played in-person (to adjust to in-the-moment responses of patients and caregivers). However, remote harp therapy can still be enjoyable! The Harp Escape series is calming harp music stylized to: relieve pain, release anxiety, diminish nausea, and stabilize heart rate. Healing harp music has also been shown to improve sleep and calm the environment. 

In this volume, I’ve slowed down a traditional Irish jig, Banish Misfortune. (Jigs are typically an upbeat dance tune in 6/8.) Here, the song has been slowed down in the therapeutic style and partnered with another Irish tune, The Parting Glass. Fun fact (according to thesession.org): Banish Misfortune has other names: The Horse Under The Stairs, The Little Bag Of Meal, Mammy’s Horse Is Dying, The Mangled Badger, The Stoat That Ate Me Sandals, and my favorite: The Whore Amongst The Nettles Roaring.

Seattle Harpist
Banishing misfortune with a little harper.

I was originally called to play this song because of its well-known name, rather than its melody. Though I had heard it before, I really got into playing Banish Misfortune during lockdown of the pandemic. I thought that by playing a song of this name I could dispel some of the negative things happening in the outer world. It gave me some personal power while playing it, and made me feel hopeful.

I invite you as well to meditate on good fortune as you listen to this version.

For the musician out there, this tune is in D Mixolydian mode. So, it is in the key of D with two sharps; however, the root is not on do (D). Instead, the root is on sol (G). Starting on the fifth of the scale (sol) would be called Mixolydian mode. The result is upbeat and refreshing sounding. I like to play Banish Misfortune syncopated, so it has a sort of Grateful Dead feel.

Goodwill in this recording extends into the second song, The Parting Glass, which has lyrics that reflect a night well-spent with friends. The first stanza is:

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