On Abundance

Every Thanksgiving I like to read a poem at the dinner table that has me thinking about the zeitgeist of the time or about the season or about family or the concept of gratitude. You get the picture.

This year, I have chosen to read a poem by Margie Piercy, The Sabbath of Mutual Respect.

The poem begins:
Abundance, Habondia, food for the winter,
too much now and survival later. After
the plant bears, it dies into seed.
The blowing grasses nourish us, wheat
and corn and rye, millet and rice, oat
and barley and buckwheat, all the servicable
grasses of the pasture that the cow grazes,
the lamb, the horse, the goat; the grasses
that quicken into meat and cheese and milk,
the humble necessary mute vegetable bees,
the armies of the grasses waving their
golden banners of ripe seed.”

There are many names for the Goddess of Abundance. In this poem, Piercy calls her Habondia. She is also Mother Earth, Demeter, Ceres, and Gaia. Piercy praises the role Earth and of woman. “Praise our choices, sisters, for each doorway / open to us was taken by / squads of fighting / women who paid years of trouble and struggle.”

I chose this poem because of the drastic changes that we as humans are undergoing with regards to technology, social paradigm shifts and political policy. I chose this poem because of the drastic storm that hit the East Coast, Superstorm Sandy, and all of the questions this raises on how and where we live. What does this mean for Earth’s own transformation? I chose this poem because after the recent election we now have more women U.S. senators than ever before! It is a poem that speaks of plentitude, contentment and equanimity.

I praise the Earth this Thanksgiving that I have the opportunity to celebrate with friends and family by eating together. Like most American holidays and the American Dream, it means something a little different to everyone. This year, I chose to celebrate women the world over and give thanks for being born in America with all of our abundant freedoms.

“Doorways are sacred to women for we
are the doorways of life and we must choose
what comes in and what goes out. Freedom
is our real abundance.”


A New Computer for Election Day!

There is so much to say on a blog when you’ve been absent for six months. The biggest news: I have a new computer! I am extremely grateful to be using this new fabulous machine!

The old Mac impeded upon my ability to upload video properly (so I’ll be fixing that previous entry) as well as record any music at home; the old computer’s memory was full. Now I’m back in the 21st Century and very excited about it.

My focuses this Fall are (in no particular order):

Fall City pumpkin patch

Mater Matrix Mother and Medium with Mandy Greer

These are some of the photos (taken by Rodrigo Venezuela) from Mandy Greer’s Mater Matrix Mother and Medium performance at Seattle last month, in May 2012. It was a pretty amazing integration of pre-recorded harp and voice with live music performance on top of that; costumes by Mandy Greer; choreography by Jessica Jobaris.

Dupen Fountain
Dupen Fountain
Muse in the Grotto
Muse in the Grotto
Siren
Siren
Spinning Measuring Cutting
Spinning Measuring Cutting

Figeater

My poem Figeater (for Beth Fleenor) just got published on the WA State poetry site thanks to our Poet Laureate, Kathleen Flenniken. http://kathleenflenniken.com/blog

Figeater
for Beth Fleenor

That fig tree attracts wasps. They get wobbly
in the heady fermented fruit

flying lazily on the summer wind
like some Sinatra party guest after martinis.

Masts clang down the hill in the harbor.
Another siren calls while the dusk wraps its ethered scarf

around the neighborhood and the raccoon,
in his nocturnal wonder, takes one look at the tree

to see his paradise, his destiny, like a moth
sees his paramour flame, he knows

he will reach supreme love
from the bright fig at the crown

now illuminated by the moon. The limbs
are as soft as quartz, scratching easily

as he climbs up & up & up.
Drawn out is this moment of reaching—

the way he scampers on the thin branches for footing,
stretching towards splendor, there it is: a purple sack,

a Lilliputian’s laundry bag. He touches as high
as he can without falling. And then he does

manage to clip the fruit with his paw
joyously dropping into his mouth, the wet

and juicy center. A smile perhaps
and laughter at the bulging size of the fig

which in one second slides down his throat
but gets stuck. And there is our raccoon—

on tip-toes in the moonlight at the height of his happiness
in the tree choking. After that there is a fall,

followed by the brief silence of being airborne
before landing at the crux of two crossed branches

that bounce of the sudden glottal stop. Uh-oh.

Everyone is gone from the house to have heard
the accident, but in the morning they find him

strange fruit hanging from the Mediterranean tree.
And so he is plucked (apprehensively)

his soft furry body like a forgotten gym bag
stuffed with stinky socks. He is processioned in a bizarre majesty

down the street on the shovel used to dig his grave.
Now he rests in the old apple orchard

of the abandoned house (half burned out in decay)
there beneath the one oak tree covered

in ivy vines that in a few years from now
will have a small fig tree in its shadow

that started from the seed
in the raccoon’s belly.

published in The Far Field

Leap! Spring! (And Thoughts about Time)

It’s a leap year. We got an extra day in February, a bonus of time. Time is elusive and continually slipping from my grasp as I travel on this journey as an artist and a mother. So with this gift of extra time in the year, I have taken a leap into the future.

I had decided on yoga at noon. We made a scrambled effort to leave the house, Zephyr and I. I forgot nothing but her hat, so I tossed up her hood, coat completely unbuttoned in the wind, but since that is her element I told myself that the winter air was good for her. We got ourselves up the 45th and I dropped her off  at Sutra’s babysitting (the only yoga studio I know that offers it!), but by the time I got to the studio I was locked out. Bummer! I knew I was testing my limits of time. I couldn’t be too disappointed though, since and tried. Besides, baby was in a fussy mood anyway, so we went to the library instead and then at home, I put her down for what became a 2 and 1/2 hour nap.

During her nap time, I sent out my Harp for Healing application – one of my great leaps! Then, I walked my crisp envelope to the mailbox down the street (alone!) (The rarity of not schlepping baby or bags of baby things or harp gear was divine.) In this bouncy moment, I took in the daffodils with their nubile tendrils so tenderly exposing themselves, so vulnerable and new to the world. I have been culminating on this new life direction for some time and am eager and confident about my decision to take up a new element of music in my life.

My friend, David, came over to visit this afternoon for some 3 o’clock coffee and cookies. Zephyr was asleep but within ten minutes of her waking, she was running around the house bringing him books and trinkets, showing off her personality with great flair.

I believe that art heals – from knitting to music, from active to passive activity. The Mind, Body, Spirit connection is something that older cultures have taught us the importance of (Native Americans, ancient Greece) and I advocate for more of this in today’s world, especially during this time of massive change. Studying with Harp for Healing will give me the title of CCM (Certified Clinical Musician). A few weeks ago, I became certified to practice Reiki Level 1 – my other leap!

I’m so excited for these two big changes in my life toward the healing path because I believe so strongly in the mind’s capacity to effect the body and the role that art has with that healing. I am reminded one of my favorite Dr. Martin Luther King Jr. quotes: “Trust is knowing how to take the first step, without having to see the whole staircase.”

I have faith in this aphorism and I have faith that music and art can be a mainstay not just in my life, but in the world around me.