Thanksgiving and The Magic of Patti Smith

Three years ago I had an unusual encounter at my local coffee shop. I had been in such an awful funk in November 2015. So, one weekday, when I normally worked from home, I resolved to get out of the house and went to my local cafe with my laptop. It was pretty packed with people, so I sat down directly across from someone. She was an older woman reading a new hardback, still wrapped in Elliot Bay Books brown paper. I asked her, “New book?”

As simple as that, we began talking. The book she was reading was by Patti Smith and it opened a small doorway between the two of us. We talked about the book and Patti’s music. This woman had gone to hear Patti read downtown the night before. Music meant so much to this woman. She told me her name was Pam.

Pam had worked for the postal service. She retired early she said, “But for what? I got early retirement and worked hard all my life. Now I don’t know what to do with myself.”

She started off working in Spokane, and was a sort of punk herself. She had dominating male associates, whom she rebelled against in the small ways she could while still keeping her job. There was a lot of misogyny in the 80’s at the postal service she told me. She needed this job because she was on her own. She had wanted to be doing something meaningful and creative in the world but felt trapped and couldn’t find a means to go to school, so she just stayed at the post office because it paid well.

I listened to her, but all the while I was emotionally fragile. I was feeling worried about how I’d pay all of my bills this month. I told Pam what I did for work, that I am a musician and poet, a writer of words and songs. I had made a well-thought out plan over three years that was five-fold. My focuses are: recording; public performances; private events; teaching; and the new addition: healing music. When one source of income didn’t come in, another would. Or so I thought.

https://monicaschley.com
https://monicaschley.com

I had recently quit a secure office job in arts administration to pursue my career as a full-time musician. But, at the time, things weren’t manifesting well as a Certified Clinical Musician. I thought I would have had five clients a month by now, but I only had one. It was making a real monetary dig into my small savings and was disheartening. I was starting to get worried. Scared. I also had a young child, and began to think that I had made a dreadful, self-indulgent choice to pursue my art as my career and she would suffer for it.

People have said sometimes its easier talking to a stranger than a friend, and I suddenly found myself speaking candidly to Pam. She was listening closely, in the same way I had listened to her, sitting across from me, with her long hair and thin face. She looked a bit like Patti Smith herself, a grande dame punk.

Because I had my laptop right there, I shared my website with her and some of my writing and recordings. I don’t know how it happened exactly, but suddenly, I found myself weeping. I tried to reign it in, but I had opened the gate. Pam listened so kindly and told me not to give up. That I was on the path to a uniquely rich life and most people didn’t have the bravery to take that kind of leap. She didn’t. She had wanted to, but was too afraid. To my great shock, she reached out her hand and gave me $50!

I couldn’t believe it. I certainly was not expecting anything to come out of our conversion other than that, a simple exchange of words. Instead, I had made a friend and a patron. She wanted to hear more about my shows and my work and asked to be on my mailing list of events that I send out monthly. That simple act of listening would have been enough, but the encouragement she gave me was lovely and fuels my spirits still today. Three years later at Thanksgiving, I still think of this encounter at the cafe with a wonderful stranger.

My daughter was five when this happened. When I would pack up for a gig, she would wave good-bye at the window and say, “Don’t give up!”

I am still not sure why she said that, but I sure needed to hear it. When I shared this story originally on my event mailer, many people wrote back with their own struggles and stories of endurance.

Now, I am in a new place, a better one I think. My work as a therapeutic bedside harpist did pan out, though there have been downs, I notice the ups too and realize that is part of the process. To my surprise, I’ve also become a mom for a second time. The fact that I can continue on with my five-fold plan with another person to nurture is a miracle in itself. My kids are both healthy and they help me to really prioritize my time – the balance of time I spend on my work; the time I spend with them; and how the two can overlap sometimes.

In Patti Smith’s book Just Kids, she describes leaving her home in New Jersey to make a new life as an artist in New York City. When she got to the bus terminal, she realized she didn’t have enough money for fare. She went to a phone booth to call her mother, and when she closed the door, she saw that someone had left her purse in there. Patti took that as a sign. She took just enough money from that purse to pay the rest of her fare and turned in the purse in to lost and found.

I might have given up on my dream had it not been for meeting Pam that day. I don’t know for sure, but I’m glad I kept going. The road isn’t always smooth, but the journey is real and sometimes there is magic.

On the Making of Diamonds

This article first appeared in Crab Creek Review, The Writer’s Notebook April 19, 2009

Nocturne #17, the poem that appeared in the Spring/Summer 2008 issue of Crab Creek Review, is part of a series called Black Eden: Nocturnes. All of the pieces are in prose, and were composed during evening hours, either just before sleep or after waking. They are heavily influenced by the surrealness of dreams, subterranean urban scenes and music. Writing Black Eden was a bit like working in a subconscious mine where I went down and chipped away every night.

Something new happened at the time I was writing this: I didn’t edit. It was as if no filter was the filter, so I there was no judgement on myself. Because of that, the train was able to keep moving. Though I didn’t know what I was doing while I was doing it, the writing felt honest, so I just kept it up with encouragement from a close poet friend. Very importantly, I trusted that there were no accidents in this process, expecting nothing and improvising all along. Stephen Nakmonovich has a great book about these ideas called Free Play: Improvising in Life & Art. After a year had past and I had 70 pieces. Then, I started to edit.

The music part of these poems (nocturne means melancholic evening piece for piano) encouraged me to play while simultaneously reading. Though a musician for most of my life, I’m a shy songwriter, but I used some of the poetry as a springboard for lyrics, which worked better than attempts in the past. Eventually, I called upon a dancer friend and other musicians to turn the piece into a performance.

Black Eden 1

As a shared performance, the poems were given aural space just as much as written space, which is something I feel pretty strongly about. I don’t think every poem has to become a performance piece, but I do believe a good poem has to both sound pleasing and look pleasing. This is not to say good poems are spoken versus written or vice versa – I don’t live in a black and white world. There just needs to be a balance of both expressions, and a writer should be conscious of this in order for the poem to live after she isn’t there to present it.

Donald Hall wrote that “poetry out loud is never quite so beautiful as poetry read in silence”. I don’t agree with this much, but I do think that for a poem to last longer than the poet, it must be read privately. However, I do take his notions to into great consideration (even though in this specific case – because the nocturnes are prose – it was stylistically easier for me to do then say, write a sestina, or even free verse). Hall also wrote that “Keats exists without being spoken. Performance poetry flames out like a match.” Personally, I prefer to have my poetry live somewhere between those two places.

Two Worlds

The narrativity that came out of these Nocturnes are loose and surreal, stemming from a first person perspective in a psychological underworld. In Nocturne #17, the use of woman’s make-up is a way to disguise the real from the unreal. Waking and dreaming are blurred concepts. In truth, the entirety of Black Eden is an exploration of those deep subconscious things we all know but don’t want to, or dismiss in passing moments. It is only when those thoughts ride up to our ears and whisper a little random joke that we might see a connection to something else more conscious and wonder – what!? Where did that come from? I didn’t want to forget all of the randomness in life, because for the most part, I don’t believe its all that random.

Black Eden 2

 

One last thing that inspired these poems for me was Seattle. I love the city in which I live, even in its worst. And for all of our urban banalities, inconveniences, and stereotypes, I wanted to capture that too. I think that’s something that all artists have the opportunity to do, which is perhaps the greatest challenge: to make sense of the garbage and take beauty from the wreckage – create a new message with your own voice.

That’s how you make diamonds.

Reference:
Hall, Donald. Knock Knock II. American Poetry Review March/April 2005.

New Year, New Baby

HARPY NEW YEAR!

Quietly working behind the scenes again, I have been spending time with my new baby boy, Dorian Max, who was born on October 29th. He has been a joy, but naturally, being with a newborn leaves mama utterly sleep deprived. My sleep is the wonkiest it has ever been, usually not getting in more winks than 3 hours at a time. Boo Hoo! Oh poor, poor Monica.

I am pleased to say that after a few months on maternity leave, I am returning to the world of teaching harp lessons, performing and harp therapy gigs at a part-time basis. I’m also booking weddings for 2018. If you get in touch with me, please know: Baby guy is my boss for the time being.  I WILL get back to you, but it just may not be right away.

Back in December, at a mere 5 weeks old, he did let me have a show with The Daphnes at Dusty Strings Annual Open House. It was a real treat.The Daphnes at Dusty Strings

May 2018 be prosperous for you!  

A Reminder of Truth & Beauty

I received a beautiful poem in my inbox this morning. The poem was Seamus Heaney’s “From the Republic of Conscience.”

As I am nearing the end of my pregnancy, this poem struck a deep chord within me. The past few weeks, I luxuriously read and write poems every day. In between hearing all the discomforting news, lyrical words of wisdom bring me peace; a source for a sense of decency in humanity; and contemplation for a better world.

The poet wishes for leaders to take their responsibilities to heart and soul, in representing all of us to our highest human potential and our capacity to live harmoniously together. Heaney writes: “At their inauguration, public leaders / must swear to uphold unwritten law and weep / to atone for their presumption to hold office”.

How glorious it would be if we had leaders who didn’t assume they were above all powers of karma, laws of God or natural physics of the Universe!

I watched Young Frankenstein last night, the Mel Brooks spoof of Mary Shelley’s classic thriller. It was nice to laugh! I want to be able to laugh at the severity of what is culminating in the world right now, but it is all too serious to brush off. Which part of what is broken in us should I focus on?

Mary Shelley was married to the great Romantic poet Percy Bysshe Shelley who said, “Poets are the unacknowledged legislators of the world.”

Poets keep us in check, not elected officials. Whenever there’s a poet running for office: vote for her. Poems remind us that humanity is an experience of truth and beauty. Poets expose lies and the people saying them.

Let’s not allow for fear, anguish and anger to block our vibrancy. Its time to shine a light on what is blocking us. Heaney’s poem is a reminder of the great importance for truth and beauty to live vibrantly in the world. Let us continue to let it flow through us.

A Month In Reverse

No matter what my aspirations are, my blog continually only gets monthly posting. So, what have I been doing this past May? A month in the life of a mama musician looks something like this:

Friday – Played for hospice clients in North Seattle. Came home for lunch, did reports and corresponding before getting daughter from school. A lovely day, we took our time walking back home.
Thursday – Kind of a mix-up with childcare, but otherwise a very good day.
Wednesday – Great gig with my band, The Daphnes, at Stone Way Cafe. You can catch us there again on Fri. June 23 at 7pm.

The Daphnes

Tuesday – My motivated high school student came at 8am for her lesson so she can get orchestra credit! Home cleaning and organizing, then teaching more students in the afternoon.
Monday – Memorial Day! Enjoyed a hot holiday off with my family at Folklife Festival and got to hear a few friends playing music.
Sunday – Not one, but TWO last minute gigs! I had gotten a call on Friday to play a wedding that another musician cancelled on. Then, at 7:30 am I got a call from a church choral leader in Ballard to sub on keyboard. I ended up doing both performances and had a fabulous, positively fun day. Also last minute: neighbor friends came over for dessert in the backyard.
Saturday – Very hot day. My kiddo was moving quite slowly and no one wanted to go to Folklife Festival that day with me, so we took a walk to Open Books on 45th where I got to nerd out about poetry with staff. Ice cream! Then, Jeppa, Eli and Lutra came over for a backyard picnic dinner.
Friday – Evening recording session for my album with awesome accordionist, Scott Adams!

Scott Adams (accordion) in the studio

Thursday – I have no idea what I did this day.
Wednesday – Wed. Sing! Nate Omdal and I play two sets of bass/harp duets for a cocktail party/art opening in Issaquah.
Tuesday – Played harp for hospice clients and taught students at home studio.
Monday – Went to Bellevue to play two client patient visits as therapeutic musician (one for Providence Hospice, another for Family Best Care)
Sunday – Flew a butterfly-shaped kite with the family at Gasworks Park. A solo eagle soared with it! Mostly a day off, then recorded violin tracks with Julie in the evening.
Saturday – Violin/Harp duets with Janet for a wedding on the MV Skansonia Ferry after going to the 125th Anniversary Carnival for BF Day Elementary School (Seattle’s oldest school) and teaching a morning lesson at Dusty Strings.

on the Skansonia w/Janet

Friday – Content writing and editing for the new Musicians’ Union website.
Thursday – Played a terrific concert at The Neptune Theater with Evan Flory-Barnes’ large ensemble. I love his projects.

Neptune soundcheck

Wednesday – I slept so poorly the night before and had insomnia. I felt like a zombie most of the day, but did some parent volunteering at my daughter’s school anyway, met with her teacher and did some teaching of my own at home studio.
Tuesday – Teaching. Parenting. Rehearsing at Cornish for the Thursday concert.
Monday – Writers In The Schools (WITS) is a wonderful program through Seattle Public Schools. My daughter has learned how to read and write poetry from talented professionals and tonight was the end of year K-3 poetry reading, which couldn’t have been more adorably heartwarming.
Sunday – Mother’s Day. I got some new stylin’ sunglasses because a particular young person always breaks mine.
Saturday – Gamelan Pacific Concert at The Chapel. A positively uplifting event, listening to Indonesian music and featuring a tribute to composer Lou Harrison.
Friday – I had a funeral to play for one of my past hospice clients, at a Catholic ceremony in Bellevue.
Thursday – Chaperoned for my kindergartener’s field trip to Seward Park. It started raining when we got there and never stopped.
Wednesday – Morning hospice clients and afternoon harp students.
Tuesday – Rehearsal with Janet on violin for wedding in a week, picked up my kiddo from school and came straight home to teach students.
Monday – Office day. I usually start off the week with a chunk of time corresponding from the home office, scheduling, and decompressing from weekend gigs.
Sunday – Harp Recital Day! Hosted my first ever harp recital for students with great success.

Harp Recital (2017)

Saturday – A nice hot spring day. Took daughter to a birthday party. I tried to practice but felt so distracted. A semi-productive day.
Friday – After working on various projects from home, went with the family to a friend’s art opening in Columbia City and I also picked up some money from my last gig at Columbia City Theater.
Thursday – Doctor’s appointment in the morning, and in between parent pick up at school, I taught five students at Dusty Strings.

Poetry & Essay Bibliography

Autumn means organization, or at least to some people it does! My harp students know that when they come over to my studio, they will invariably see piles of yellow legal pads, music books, sheets of poems, pencils, postcards, to-do lists, headphones, and manila legal files stuffed with more of the same on and surrounding my desk. New studies show, though, that might not be such a bad thing for a creative type like me.

Virtually, things are much cleaner for me. I’ve just compiled a concise bibliography of selected publications and posted them to my website (Recordings & Writing). Its an organized list of selected poems and essays I’ve written, available in one easy to find place – imagine that!

on a clean day, you can see forever
on a clean day, you can see forever

I Quit My Day Job A Year Ago

This post was originally published at Pyragraph and is reposted here with kind permission.

IMG_0033
Backstage in NYC

A year ago I quit my day job. It was easy to make the announcement and write the first part of my story, because I was excited! However, writing this follow-up has been a lot more challenging.

A little background: The day-job I quit was part-time. It was secure and it complimented my creative career as a musician and poet. So, I was conflicted about leaving. However, I knew that if I stayed any longer, I would never take the chance to see what was behind the other door—the door that led to working on music and writing exclusively, the door that led to me working as a freelancer and calling my own shots. I was miserable with the thought of never knowing what that would feel like.

For various reasons, the clock was ticking. If I was going to jump, it had to be now.

How did I prepare for this? I talked to other full-time musicians and I crafted a business plan. Then, I seriously talked my five-fold business plan over with at least a dozen people, as well as a representative at Seattle Small Business Association. I got green lights. I created an active teaching studio. Also, I became a Certified Clinical Musician (someone who plays particular therapeutic styles of music at the bedside of the sick and dying). The plan was that the day job hours would be taken over by therapeutic work, more or less. Since putting my plan into practice, I still think it’s solid in theory, but several factors beyond my control caused a certain amount of failure.

An important nuance I’ve had to take note of is seasonal fluctuations in work. I have wedding gigs in the summer, but not many students. This past year has shown moments of good fortune—touring with amazing musicians to New York with the successful show, Now I’m Fine—contrasted by disappointments when efforts don’t pay off—I did an intense two-day trade show for state healthcare workers expecting to drum up new clinical music work, but got empty leads, which left me physically and mentally drained.

There have been lots of challenges this first year on my own, but they’ve only pushed me to try something new and get comfortable with making mistakes when they happen.

New things I’ve tried this year and succeeded at:

  • Recording original tunes in studio and at home (in progress)
  • Making a music video
  • Bartered harp lessons for other needed services
  • Led healing harp tones guided meditation workshop

Fallen short:

  • Getting 3-5 therapeutic music accounts (I’ve succeeded so far at only gaining two)
  • Rejected grants

Future goals:

  • Skype harp lessons
  • Self-publishing a multi-instrument album
  • Leading more group workshops
  • More therapeutic music accounts

In one year’s time, I’d say I’m not as rosey-eyed, that is, I may not have taken into account how the highs and lows are much more extreme, which can be more exciting and more scary. Yet still, I’m optimistic by nature, so I always have that working to my advantage. I am very comfortable with turning down offers that are not respectable or reciprocal. I also happen to live in a wealthy city, where there are many resources for artists and people who will pay for artistic services.

My choice to work freelance has really been about my need to fulfill a dream. In his poem, “Harlem,” Langston Hughes asks:

What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?

I knew my dreams would lose their strength, or worse yet, cease to exist, if I didn’t answer to their calling. That is what this career choice has been about, because working in the arts is more than just “making a living,” it’s a lifestyle. I like seeing where the mystery unfolds, even if it’s a little terrifying. It’s my path and I own it.

Fire & Ice

Here’s a new ditty for the day: Fire & Ice. This solo harp excerpt is from a longer vocal and multi-instrumental track I’m working on. Today, I have only a few hours to record and I wanted to hear some instant results!

https://soundcloud.com/harppoet/fire-ice-harp-excerpt

I started writing the piece on a snowy December day and eventually added lyrics. You can listen to The Daphnes singing it (at the end of this stream from February 8, 2016)

Who are we but ice / Part of the snow
Who are you to ask / Don’t you know
That we were stars once / And we were on fire
https://monicaschley.com/

I did a little research and Robert Frost wrote a poem of the same name. Nice that he’s got the name to go along with it. His poem is brief too:

Fire & Ice
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
– Robert Frost

 

Making Art and Mothering

This post was originally published at Pyragraph and is reposted here with kind permission.

IMG_9149

She nursed on the muse at first,
then became her own mother
—Erica Jong, from Self-Portrait

Four years ago, I was digging deep into the music world around me. I was getting calls from jazz, classical and pop ensembles for a regular variety of work and I had just published a book of poetry. I was quite busy and planning for a near future of more of that. Four years ago, I also became a mother. I had no idea what I was about to get into!

Call me naive, but I just wasn’t prepared for the onset of colic in a newborn to last over four months. Every day from 5-8pm my little baby would scream her head off no matter what we did. I thought she was breaking. It was so exhausting that my husband and I began to dread the “witching hour,” as we later learned it is called. That type of mothering dipped severely into my creative flow. I was paralyzed by serious duty, and like so many other artists without an expressive outlet, I got depressed.

Life has definitely improved since that dark winter.

It might have taken me a few years to notice, but I am embracing the fact that though my time to produce/work on my craft has diminished as a mother, the quality of my work and focus on it seems to have increased and improved. I don’t get as much time as I used to, so I make better use of it.

When I was a brand new parent, I was struck with awe at how little time I had for self-care, let alone time to practice my instrument. I searched online for resources from other mothers who are musicians. Indeed, I am not alone out there, but it was difficult to find the self-help/buck-up-kid words I longed for. I needed a mother for my artist me!

About that same time, a mother/musician acquaintance of mine who was living out of the country, started posting on her Facebook page exactly what she did, hour-by-hour, with her two-year-old each day. It was her practice to write out a daily journal of time spent with child/art/family merged together. I thought that was beautiful, and looking back, reading her passages was sort of a turning point for me. I started to do the same in my own private journal—there were good days, challenging days, ideal days, disaster days, and goals to strive for. It also helped me see how I was actually spending my time.

Present day good news: I have a happy four-year-old. I consider that to be the supreme guidepost of any success. Also, my duties have eased up, as she goes to preschool and plays in her imaginary worlds at home. Time has definitely expanded for my creativity to live alongside my mothering duties and I am grateful. Every now and then, I still find it helpful to write out a daily log.

Here’s a recent example of one of our days.

  • 7:00—Woke before the others
  • 7:10—Wrote in my journal
  • 7:30—Made coffee and granola w/berries for the family and me
  • 8:10—Got kiddo dressed
  • 8:45—Prepared sheet music for a rehearsal, tuned and practiced (child playing by herself)
  • 9:30—Went to Musicians’ Union office to photocopy and connect with colleagues (with kiddo)
  • 10:30—Arrived home to rehearse w/ violinist who also has a kiddo—children played; adults played
  • 12:00—Finished rehearsal and hung out for a bit
  • 12:30—Friends left; hubby came home; we all ate lunch together
  • 1:00-1:20—Cleaned up dishes, kitchen and child
  • 1:20-1:45—Hubby took kiddo on a walk so I could message clients/make phone calls
  • 1:45—Got ready to thrift shop and run errands with kiddo
  • 1:55—Abort mission! Bee sting! Child stepped on a bee on the walk!
  • 2:00—Nursed wounded child; applied baking soda compress; ice cream; cartoons
  • 2:20-4:30—Kiddo said she wanted to stay home; worked closely on an activity book together
  • 4:30-6pm—Prepared dinner, ate and cleaned up
  • 6:00-6:30pm—More client emails, writing and invoices
  • 7:00—Drove downtown as a family to hear a musician friend’s house concert
  • 9:15—Dropped off semi-overdue children’s library books
  • 9:30—At home; kiddo fell asleep in the car and plopped peacefully into bed
  • 9:45-11:45—Typed up song lyrics and poems, worked on a writing submission, listened to Self-Employed Happy Hour (a Pyragraph Podcast!), practiced my instrument
  • 11:45-12:00—Read in bed

Keep the Night Dark

I am recording an album! I’m so thrilled to be working on my first full-length album of original songs.

Entitled, ‘Keep the Night Dark’, this work is a 12-track album reflective of many musical styles: waltz, jazz, Indian raga, ambient drone, do-wop, classical, neo-folk with added vocal lyrics repurposed from my original poems and inspiration from the writings of contemporary Am. poet Anne Sexton, 17th Cent. British mystic William Blake, 18th Cent. French epicurean Brillat-Savarin, Greek mythology, and the world’s first feminist/poet, Sappho.

All songs of KtND were written over the past five years. I am super excited by stellar musicians participating! – my bandmates in The Daphnes (Nate Omdal, bass and Julie Baldridge, violin), plus two amazing drummers (Greg Campbell and Jeremy Jones) and more mystery surprise sound makers!

Harp repertoire of this kind does not readily exist. KtND reflects my wildly wide range of musical tastes. Because I long to play music that covers a broad scope, it took a break from performing to realize the only composer who could fulfill that desire was me!

While recording at Gallery 1412 last week, Greg asked me if I’d always sung. I did. I had. I had just stopped. For about 15 years. When I studied music in college, I thought I should focus on harp. The harp is a complex instrument and I had much to learn. Since it took so much of my time to study, I didn’t have energy to sing. So that was that.

When I stopped performing 5 years ago for a while to have a child, I found myself singing to her all the time. Then, I would write the songs out or record them. Thus, there’s a thematic feeling all the way through that I think comes from subterranean tide pools of maternal emotion. The album also covers general and mythic mother/daughter relations, and nighttime activities like stargazing at constellations and recognition of light pollution.

Soon, Sonarchy Radio will broadcast a session of KtND songs that The Daphnes recorded in June of this year – Stay tuned!

I will also be doing some fundraising concerts for the album this fall as I begin to wrap up the recording process.

Fundraising Concert of November:
Harpy Hour – Tues. November 3rd 

Stone Way Cafe – 
3510 Stone Way
Seattle, WA  98103
Happy Hour + Harp Music = Harpy Hour
4-6pm
$1 off drinks