Did you see the full moon lunar eclipse last week? From my porch, I watched the moon fade to grey, then a bruised blue, disappearing entirely into the night sky. It became swallowed by a mystery, only to have a reddish, orange overtake its full shape in an hour. The blood moon.
The moon and I have a connection. Monica. Moni. Moonie. Moonbeam. These are some of the playful nicknames I have had.
Swallowed by mystery
I go back to the moon often in my lyrics: “moon I see you shining down on me by its you I see slither underneath Persephone”
This verse comes from my song, Mood Indigo, which is featured in Braids of Kabuya, book of lyrics. Made as a companion piece to The Daphnes album, Braids of Kabuya, this book of lyrics is a way to follow along with the music, and also enjoy as stand alone reading.
Three years ago I had an unusual encounter at my local coffee shop. I had been in such an awful funk in November 2015. So, one weekday, when I normally worked from home, I resolved to get out of the house and went to my local cafe with my laptop. It was pretty packed with people, so I sat down directly across from someone. She was an older woman reading a new hardback, still wrapped in Elliot Bay Books brown paper. I asked her, “New book?”
As simple as that, we began talking. The book she was reading was by Patti Smith and it opened a small doorway between the two of us. We talked about the book and Patti’s music. This woman had gone to hear Patti read downtown the night before. Music meant so much to this woman. She told me her name was Pam.
Pam had worked for the postal service. She retired early she said, “But for what? I got early retirement and worked hard all my life. Now I don’t know what to do with myself.”
She started off working in Spokane, and was a sort of punk herself. She had dominating male associates, whom she rebelled against in the small ways she could while still keeping her job. There was a lot of misogyny in the 80’s at the postal service she told me. She needed this job because she was on her own. She had wanted to be doing something meaningful and creative in the world but felt trapped and couldn’t find a means to go to school, so she just stayed at the post office because it paid well.
I listened to her, but all the while I was emotionally fragile. I was feeling worried about how I’d pay all of my bills this month. I told Pam what I did for work, that I am a musician and poet, a writer of words and songs. I had made a well-thought out plan over three years that was five-fold. My focuses are: recording;public performances;private events;teaching; and the new addition: healing music.When one source of income didn’t come in, another would. Or so I thought.
https://monicaschley.com
I had recently quit a secure office job in arts administration to pursue my career as a full-time musician. But, at the time, things weren’t manifesting well as a Certified Clinical Musician. I thought I would have had five clients a month by now, but I only had one. It was making a real monetary dig into my small savings and was disheartening. I was starting to get worried. Scared. I also had a young child, and began to think that I had made a dreadful, self-indulgent choice to pursue my art as my career and she would suffer for it.
People have said sometimes its easier talking to a stranger than a friend, and I suddenly found myself speaking candidly to Pam. She was listening closely, in the same way I had listened to her, sitting across from me, with her long hair and thin face. She looked a bit like Patti Smith herself, a grande dame punk.
Because I had my laptop right there, I shared my website with her and some of my writing and recordings. I don’t know how it happened exactly, but suddenly, I found myself weeping. I tried to reign it in, but I had opened the gate. Pam listened so kindly and told me not to give up. That I was on the path to a uniquely rich life and most people didn’t have the bravery to take that kind of leap. She didn’t. She had wanted to, but was too afraid. To my great shock, she reached out her hand and gave me $50!
I couldn’t believe it. I certainly was not expecting anything to come out of our conversion other than that, a simple exchange of words. Instead, I had made a friend and a patron. She wanted to hear more about my shows and my work and asked to be on my mailing list of events that I send out monthly. That simple act of listening would have been enough, but the encouragement she gave me was lovely and fuels my spirits still today. Three years later at Thanksgiving, I still think of this encounter at the cafe with a wonderful stranger.
My daughter was five when this happened. When I would pack up for a gig, she would wave good-bye at the window and say, “Don’t give up!”
I am still not sure why she said that, but I sure needed to hear it. When I shared this story originally on my event mailer, many people wrote back with their own struggles and stories of endurance.
Now, I am in a new place, a better one I think. My work as a therapeutic bedside harpist did pan out, though there have been downs, I notice the ups too and realize that is part of the process. To my surprise, I’ve also become a mom for a second time. The fact that I can continue on with my five-fold plan with another person to nurture is a miracle in itself. My kids are both healthy and they help me to really prioritize my time – the balance of time I spend on my work; the time I spend with them; and how the two can overlap sometimes.
In Patti Smith’s book Just Kids, she describes leaving her home in New Jersey to make a new life as an artist in New York City. When she got to the bus terminal, she realized she didn’t have enough money for fare. She went to a phone booth to call her mother, and when she closed the door, she saw that someone had left her purse in there. Patti took that as a sign. She took just enough money from that purse to pay the rest of her fare and turned in the purse in to lost and found.
I might have given up on my dream had it not been for meeting Pam that day. I don’t know for sure, but I’m glad I kept going. The road isn’t always smooth, but the journey is real and sometimes there is magic.
… And we are launched! Braids of Kabuya came out on Oct 1st. I am so proud of how this album sounds and all of the work we put into it: the songwriting, the musicianship of all the players, the mixing, and the beautiful artwork by Stephen Schildbach.
I have so many thank you’s. The list is long and the gratitude so great. THANKS to these people and places who are a part of these songs, who heard them in fresh form, and helped me to polish them into a shape that has become real: the amazing musicians on this recording; Christina Honeycutt; Luara Moore; Jeppa K. Hall; Naomi Siegel; Marchette Dubois; Anne Matthews; Lori Goldston; Lori Andrews & Burt Samolis; Claudia Schmidt; Doug Haire; Jon, Betsy & Sam; Roseann Barnhill & Krukenberg Garden; Colleen Zickler; Sarah Kavage & Adria Garcia; Bobland; The Sorrento Hotel; The Cascade Mountains; Zephyr; and above all Stephen.
GRATUTUDE: to all of our Kickstarter donors! I feel blessed to have such a supportive community.
You can hear The Daphnes play the album live: on Thurs, Oct 25, 2018 The Good Shepherd Center in Seattle (Wallingford) at The Chapel Performance Space 7pm – $10 General Admission – All Ages
Last week, we finalized the CD production of Braids of Kabuya! With over 50 backers, we reached our Kickstarter goal. This is amazing. I have never done an art project like this in my life. The list of thank you’s is long and the gratitude I have for everyone who helped out is HUGE!
At the end of the week, we took care of last tweaks of the mastering, boosting bass here, adding reverb there… the final edits took longer than expected by a few days, but we are still right on target!
The Daphnes – Braids of Kabuya
Oct. 1st a digital version of the album will be made available to you. Right now, I’m just waiting on some codes to be assigned to the songs for digital streaming and downloads, and then I will be posting the album up on CD Baby and Bandcamp (The Daphnes EP is up here for now). I will post the links here, at my Kickstarter page and on my website when they are available.
I will also be publishing a book of Braids of Kabuya lyrics with digital download of the album. I expect to receive the books mid-October. First, I publish the CD for duplication (check). Second, I send in the album for digital distribution (pending). Third, I publish the book (in current edit mode).
My self-imposed deadline is to have all this new material for Harp Seattle, Dusty Strings’ three day harp fest I’ll be presenting at Oct 5-7.
This October 1, The Daphnes will release our first album, Braids of Kabuya. I’m so very excited to have a hard deadline on the calendar! This album sounds amazing.
With a dozen songs and half a dozen collaborators, this project is a culmination of two of my favorite things: music and poetry. Its has been a long time coming and I just need YOUR SUPPORT for the final push.