Off-Beat and On-Time

This is a post for the harpists! This month, Sun. April 28, 2019 I will be teaching a rhythm class at Dusty Strings Music School called Off-Beat and On-Time.

Class will be 12:30-2:30
Sun. April 28, 2019
Off-Beat and On-Time = $50
at Dusty Strings Music School
3406 Fremont Ave N
Seattle, WA 98103
(206) 634-1662 – CALL TO REGISTER

Seattle Harpist
In this class we will get rhythmically comfortable! We will work on ostinato rhythms, repeated bass lines, waltz and jazz waltz. First we delve into 4/4 time, practicing ostinato rhythm variations. An ostinato is a repeated rhythm, usually played in bass. Learn how to get into a groove comfortably and in time. Then, we apply the rhythms to two common songs. Next, we move onto 3/4 time, learning a basic waltz. Then, we do a jazz waltz in 6/8 and focus on accented off beats. Finally, we use the 6/8 jazz waltz as a diving board into some improvisation! This class is designed for the harpist who wants get beyond the 4/4 and make rhythm their comfort zone. All levels welcome.

Additionally, I teach private lessons at Dusty Strings. If you live in the Seattle area or are “just visiting” and are wanting to learn more, call the music school today.

I am comfortable with teaching youth as well of students of all backgrounds and ages. My musical method draws from folk, classical, songwriting, theory, ensemble work, improvisation and pop music using a Salzedo-influenced method. I think that everyone’s learning process is a little bit unique, just like the harp.

“I see myself as a musician who happens to play the harp, not being a harpist exclusively. It is from that approach that I tap into the great mystery that is music. I believe teachers can learn from students just as much as students learn from the teacher.”

Seattle Harpist
Seattle Center drum lesson.

Harp Escape

What is a Harp Escape? And why now?

The world is full of static and noise, subliminal, and actual. Online. Offline. In our minds and in our streets. Garbage trucks and jackhammers. Nagging conversations and bills. Deadlines and confrontations.

Harp Escape is a respite from the chaos. It is an online aural get-away.

Twice a month, I will bring you new music videos from my harp studio. This music will be played with intention for a relaxing moment, for you to take a break from the demands of your life and breath deeply, while listening to the healing sounds of the harp’s vibrations.

As a Certified Clinical Musician, I have studied how certain intervals, musical modes, and tempos can have a particularly soothing effect. I will merge this ancient healing knowledge with my skills as a life-long musician and harpist of 25 years. I am a songwriter, an improviser, and I will be arranging particular songs for the intent of a healing Harp Escape.

Sound is vibration. Sound vibrates water. Humans are composed of 75% water. Therefore, we too vibrate from the sounds in and around us. Because there is so much stress and noise in our modern world, I feel it is imperative right now to pay attention to the sounds around us.

Seattle Harpist
A New Journey

Harp Escape is an online place to relax. A virtual experience of the harp cannot take the place of a live session, but in this way, I will be able to reach more people.

To learn more… Visit Harp Escape at Patreon.

Our eyes have lids, but our ears do not. We have no way to say “no” to displeasing sounds; therefore, it is essential that we become aware of when our world is too noisy and too stressful. It is important for our good health that we contrast the harmful sounds with pleasing ones, because they will relax us. Through relaxation we can unwind our nerves and return to a healthy homeostatis.

As I begin this journey of bringing you new calming arrangements of harp music, my goals are:

  • Upload videos twice per month
  • Share themes, chosen either by me or by you
  • Offer sheet music arrangements of particular songs
  • Create special “extra” videos for Patreon donors
  • Invite guest musicians (instrumentalists and singers)

Of my recent album, Braids of Kabuya, performed under my band name, The Daphnes, I have received heart-centered response:

“My eyes, my mind, and my heart are far happier having discovered this gem.”
Lattney B. Jones, Ball of Wax Audio Quarterly

Perhaps your next lunch break can be spent on a Harp Escape. Listen with headphones if you can. Starting in Spring 2019, I am here for you.

Book of Lyrics

Did you see the full moon lunar eclipse last week? From my porch, I watched the moon fade to grey, then a bruised blue, disappearing entirely into the night sky. It became swallowed by a mystery, only to have a reddish, orange overtake its full shape in an hour. The blood moon.

The moon and I have a connection. Monica. Moni. Moonie. Moonbeam. These are some of the playful nicknames I have had.

Seattle Harpist
Swallowed by mystery

I go back to the moon often in my lyrics:
“moon I see you
shining down on me
by its you I see
slither underneath
Persephone”

This verse comes from my song, Mood Indigo, which is featured in Braids of Kabuya, book of lyrics. Made as a companion piece to The Daphnes album, Braids of Kabuya, this book of lyrics is a way to follow along with the music, and also enjoy as stand alone reading.

Where to buy the book?
My husband and creative partner, Stephen Schildbach, did the design and photography for the book. You can purchase the book in three places:
1) Online at Blurb: http://www.blurb.com/b/9107464-the-daphnes-braids-of-kabuya.
2) At Open Books: A Poem Emporium (on 45th in Seattle)
3) From me personally at upcoming shows

The Daphnes will be performing on February 27, 2019 at the North City Bistro and Wine Shop, 1520 NE 177th St., Shoreline, WA 98155. Tickets are $10.00. Reservations can be made by calling (206) 365-4447. For more information, go to http://northcitybistro.com and https://www.facebook.com/events/311458602811058.

The album, “Braids of Kabuya” can be purchased through CD Baby, Bandcamp, and
i-Tunes.

The Daphnes - Braids of Kabuya
The Daphnes – Braids of Kabuya

Thanksgiving and The Magic of Patti Smith

Three years ago I had an unusual encounter at my local coffee shop. I had been in such an awful funk in November 2015. So, one weekday, when I normally worked from home, I resolved to get out of the house and went to my local cafe with my laptop. It was pretty packed with people, so I sat down directly across from someone. She was an older woman reading a new hardback, still wrapped in Elliot Bay Books brown paper. I asked her, “New book?”

As simple as that, we began talking. The book she was reading was by Patti Smith and it opened a small doorway between the two of us. We talked about the book and Patti’s music. This woman had gone to hear Patti read downtown the night before. Music meant so much to this woman. She told me her name was Pam.

Pam had worked for the postal service. She retired early she said, “But for what? I got early retirement and worked hard all my life. Now I don’t know what to do with myself.”

She started off working in Spokane, and was a sort of punk herself. She had dominating male associates, whom she rebelled against in the small ways she could while still keeping her job. There was a lot of misogyny in the 80’s at the postal service she told me. She needed this job because she was on her own. She had wanted to be doing something meaningful and creative in the world but felt trapped and couldn’t find a means to go to school, so she just stayed at the post office because it paid well.

I listened to her, but all the while I was emotionally fragile. I was feeling worried about how I’d pay all of my bills this month. I told Pam what I did for work, that I am a musician and poet, a writer of words and songs. I had made a well-thought out plan over three years that was five-fold. My focuses are: recording; public performances; private events; teaching; and the new addition: healing music. When one source of income didn’t come in, another would. Or so I thought.

https://monicaschley.com
https://monicaschley.com

I had recently quit a secure office job in arts administration to pursue my career as a full-time musician. But, at the time, things weren’t manifesting well as a Certified Clinical Musician. I thought I would have had five clients a month by now, but I only had one. It was making a real monetary dig into my small savings and was disheartening. I was starting to get worried. Scared. I also had a young child, and began to think that I had made a dreadful, self-indulgent choice to pursue my art as my career and she would suffer for it.

People have said sometimes its easier talking to a stranger than a friend, and I suddenly found myself speaking candidly to Pam. She was listening closely, in the same way I had listened to her, sitting across from me, with her long hair and thin face. She looked a bit like Patti Smith herself, a grande dame punk.

Because I had my laptop right there, I shared my website with her and some of my writing and recordings. I don’t know how it happened exactly, but suddenly, I found myself weeping. I tried to reign it in, but I had opened the gate. Pam listened so kindly and told me not to give up. That I was on the path to a uniquely rich life and most people didn’t have the bravery to take that kind of leap. She didn’t. She had wanted to, but was too afraid. To my great shock, she reached out her hand and gave me $50!

I couldn’t believe it. I certainly was not expecting anything to come out of our conversion other than that, a simple exchange of words. Instead, I had made a friend and a patron. She wanted to hear more about my shows and my work and asked to be on my mailing list of events that I send out monthly. That simple act of listening would have been enough, but the encouragement she gave me was lovely and fuels my spirits still today. Three years later at Thanksgiving, I still think of this encounter at the cafe with a wonderful stranger.

My daughter was five when this happened. When I would pack up for a gig, she would wave good-bye at the window and say, “Don’t give up!”

I am still not sure why she said that, but I sure needed to hear it. When I shared this story originally on my event mailer, many people wrote back with their own struggles and stories of endurance.

Now, I am in a new place, a better one I think. My work as a therapeutic bedside harpist did pan out, though there have been downs, I notice the ups too and realize that is part of the process. To my surprise, I’ve also become a mom for a second time. The fact that I can continue on with my five-fold plan with another person to nurture is a miracle in itself. My kids are both healthy and they help me to really prioritize my time – the balance of time I spend on my work; the time I spend with them; and how the two can overlap sometimes.

In Patti Smith’s book Just Kids, she describes leaving her home in New Jersey to make a new life as an artist in New York City. When she got to the bus terminal, she realized she didn’t have enough money for fare. She went to a phone booth to call her mother, and when she closed the door, she saw that someone had left her purse in there. Patti took that as a sign. She took just enough money from that purse to pay the rest of her fare and turned in the purse in to lost and found.

I might have given up on my dream had it not been for meeting Pam that day. I don’t know for sure, but I’m glad I kept going. The road isn’t always smooth, but the journey is real and sometimes there is magic.

The Daphnes’ Album Braids of Kabuya, Out Now

… And we are launched! Braids of Kabuya came out on Oct 1st. I am so proud of how this album sounds and all of the work we put into it: the songwriting, the musicianship of all the players, the mixing, and the beautiful artwork by Stephen Schildbach.

PURCHASE BRAIDS OF KABUYA HERE

The Daphnes - Braids of Kabuya
The Daphnes – Braids of Kabuya

I have so many thank you’s. The list is long and the gratitude so great. THANKS to these people and places who are a part of these songs, who heard them in fresh form, and helped me to polish them into a shape that has become real: the amazing musicians on this recording; Christina Honeycutt; Luara Moore; Jeppa K. Hall; Naomi Siegel; Marchette Dubois; Anne Matthews; Lori Goldston; Lori Andrews & Burt Samolis; Claudia Schmidt; Doug Haire; Jon, Betsy & Sam; Roseann Barnhill & Krukenberg Garden; Colleen Zickler; Sarah Kavage & Adria Garcia; Bobland; The Sorrento Hotel; The Cascade Mountains; Zephyr; and above all Stephen.

GRATUTUDE: to all of our Kickstarter donors! I feel blessed to have such a supportive community.

You can hear The Daphnes play the album live: on
Thurs, Oct 25, 2018
The Good Shepherd Center in Seattle (Wallingford)
at The Chapel Performance Space
7pm – $10
General Admission – All Ages