On Singing (to Children) at Home

My grandmother (my father’s mother) loved to sing while she cooked. Folk songs, church songs, musical theater numbers, whatever popular songs were on the radio at the time – that’s what she sang throughout the day as she did her daily housework. Because it was the 1980’s, I’d hear Linda Ronstadt and Barbara Streisand, Dolly & Kenny mixed in with church hymns. My favorite time of year was Christmas. My aunt played at the piano (and later me), while Gramma, my other aunts, my dad, uncle, and cousins sang in four-part harmony. It felt casual in her house, yet magical to think that our own voices together could make such wonderous music together.

Simple pleasures: campfire songs. There was Jim Croce, Bob Dylan, my dad and his cousins bellowing out “Mr. Bojangles” after a couple of beers. Gramma liked the folk tunes: Red River Valley, Shenendoah, Edelweiss.  She’d sing silly songs too, songs I’d only heard in Betty Boop cartoons, old-fashioned, from a time two generations before me. She’d sing “shoe fly pie and apple pan dowdie makes your eyes light up and your tummy say howdee.” These lyrics were famously amusing to my siblings and me. This one she’d sing while mixing up dough and peeling apple skins. Later, while we at it, ice cream dripping down our chins.

After my grandmother died, I asked my dad what songs she had sung to him as a little boy. He remembered “Nature Boy,” the old Nat King Cole song.

Today, I listened to a podcast from Jeralyn Glass about the healing effects of humming. Even without knowing words or melody to a song, the sound of a simple hum tells the body to create more oxygen and less cortisol (the stress hormone). After a headache, I hum various pitches to make the place in my forehead that hurts, vibrate some. This is, I know from my studies as a Certified Clinical Musician, a type of entrainment. One of the most fascinating stories of entrainment is that of Dutch scientist Christiian Huygens in 1665. His is a famous of example of how two clock pendulums swinging in different began to match in rhythm. In the case of this century’s old science experiment, two inanimate objects have proven that they can synch up in rhythmic time. In my case, I apply my humming voice like salve to sooth the physical pain.

I hum after the most painful part of my headache has subsided. I move my hum up and down in  pitch and volume until it finds a match on the left side of my head. In that place, the hum replaces the witless state of my mind with a gentle touch.

Lately, I have gotten into the habit of playing the radio a lot in the kitchen while I cook and my son plays other side of the room. We keep one another company with the radio songs of my choice (new harp tracks, jazz, classical, the local independent station that plays roots, rock & soul) or his requests – soundtracks to Studio Ghibli or Star Wars movies. I haven’t been singing as much.

After my headache and humming episode, I feel inspired to sing. When my son gets home from school I hum “Nature Boy.” Then, I lazily find the words. Maybe I can remember them? Knowing the words doesn’t really seem to matter while humming. Nature Boy is a short song with a melancholy feel.

My son asks, “What song is that?”  

I tell him it’s a song whose notes sound sad, but the words are about a magical boy. The lyrics have a beautiful message about life. The word for that is bittersweet. Bitter for the way the song sounds, but sweet because of the message in the words: “the greatest thing you’ll ever learn is just to love, and be loved in return.”

How to Understand and Apply the Circle of 5ths

The Circle of 5ths is an often misunderstood concept in music theory. So, I created a class on how to better understand and apply the circle of 5ths to playing music. This online class is available to you anytime on Udemy!

In the class, Circle of 5ths 2.0, you will learn what the Circle of 5ths is and how to apply it to playing the harp. By the end of the course, you will be able to see how it applies to chord progressions and melodic structure. You will review basic hand shapes and technique at the harp as well as: look at a PDF of the Circle of 5th; play exercises for better understanding the order of the Circle of 5ths; practice chordal arpeggios; learn the song “Corinthian Bells” with the melody of the Circle of 5ths; and finally understand how “Fly Me to the Moon” uses the Circle of 5ths.

An arrangement of “Fly Me to the Moon” is available to you with purchase of this online class. The song is divided into an easy and advanced section – perfect for your skill level!

This course is for you if you are new to the harp, are returning to the harp, are interested in learning theory, want to learn a jazz standards, or want to learn specifically about the Circle of 5ths.

Monica Schley, Seattle Dusty Strings harp teacher therapy music Circle of 5ths

Harp Escape vol. 9 (The Dorian Suite)

The Dorian Suite is a song I wrote in honor of my young son. Born in 2017, he was just a toddler when the Pandemic hit, and I wrote this song. At the time I was an artist-in-residence at Nalanda West in Seattle, a Buddhist retreat center. There, I spent hours in quietude composing, meditating, and writing in my journal. (Months before wrote a poem inspired by my new baby, later published in Literary Mama.)

When the world was experiencing early signs of the virus, before lockdown, I was at the Nalanda West a couple days a week. It was a place for me to find peace with the unknown. Any parent with young children can tell you, finding time to oneself is a precious commodity. There are many shifts throughout the day, hour by hour, minute by minute. Music and writing have always been a tool for me to get to a happy place and connect with myself and my place in the world. Through searching, through writing music and words, I was able to find an expression for the time and space of 2020, personally and globally. That is a lot of what this song is about.

This piece has several shifts: from Dorian mode to a relative minor (B minor). The meter, or rhythm, changes back and forth from 4/4 to 3/4 time. This is a musical metaphor for how I felt pulled to and fro, as mom, as musician, as person comfortable in the world, as a person uncomfortable in the world.

Harp Escape vol. 9 (The Dorian Suite)

Sheet music for The Dorian Suite, available now at Sheetmusicdirect.com!

Top 10 Sounds to Heal Your Life

Music can be a tool to aid in healing and relaxation. Relaxing sounds encourage us to deepen our breathing, which in turn can encourage many positive side effects like deepened sleep, decreased anxiety, lower heart rate, and decreased stress. Playing harp music is something I do often as a healing modality for bedside therapy, funerals, rites of passage, and for my children when they are ill or need help falling asleep.

Below are ten ways to use sound and music to improve and heal your life. All of these suggestions include awareness of breath and augmenting of breath. So much of our own wellness is linked to breath.

Music can be a tool to aid in healing and relaxation. Practicing meditation, for example, can be enhanced with music. Relaxing sounds encourage us to deepen our breathing, which in turn can encourage many positive side effects like deepened sleep, decreased anxiety, lower heart rate, and decreased stress.

Below are 10 sounds that can significantly improve and heal your life. All of these suggestions include an awareness and augmentation of breath. So much of our wellness is linked to our breath.

Continue reading “Top 10 Sounds to Heal Your Life”

How to Play Songs of Hildegard von Bingen

Recently I taught a an online workshop with Atrium Health Foundation called “Improvising with Hildegard von Bingen.” The music is in conjunction with my forthcoming book by Mel Bay Publications, “Songs of Hildegard von Bingen for Harp.” Atrium Health host Kathleen Blackwell-Plank has been curating a valuable workshop series for therapeutic musicians for the past few years. I was asked to teach the class rather last minute as a substitute and was so glad to have participated. After a show of hands, I realized that even in the musical community only half of people know who Hildegard von Bingen is.

So… Who was Hildegard von Bingen?

Hildegard von Bingen (1098-1179) was born in Germany during the Middle Ages, at a time when education and literacy were controlled by the Catholic Church. The tenth child in her family, Hildegard was “given” as a tithing to the church, not an uncommon practice of the time.  When she was 14, she was sent to live a life of religious devotion in Disibodenberg. At the convent, she prayed, wrote, and only had access to the outside world through the view of a single window.

When her main caretaker, Jutta, died in 1136, Hildegard was appointed prioress of the abbey. It was during that time that she began writing music. Despite her claim of lacking formal training in either the Latin language or music, Hildegard produced songs that were equal to those written by the most admired men of the Middle Ages. A woman of letters, she often communicated directly with clergy of the church, including Pope Eugene III, who encouraged her to continue writing music and poetry. She went on to write several books about religion, art, politics, philosophy, science, medicine, and herbs.

Hildegard had visions that she called “reflections of the living light,” and she painted what she saw. She suffered from headaches and some scholars of her writing suspect that she may have She had many visitors at the abbey who claimed that she was able to heal them though touch and with her knowledge of herbal medicine. In time, she had so many visitors, that a larger venue was needed. The church relocated her to an abbey of her own, in Bingen, where she was able to attend to more people. She died there at the age of 81.

What did her music sound like?

Monophonic (single line melody), choral, sung in Latin, modal (most often in Dorian, Phrygian, and Mixolydian modes), natural minor keys, Gregorian Chant

How does this music translate to the harp?

Beautifully! Hildegard’s music is often in modes and have minimal lever changes.      

Continue reading “How to Play Songs of Hildegard von Bingen”

Weather Report on Orange on the Radio

I had the wonderful opportunity to read my poem, Weather Report on Orange, on the radio thanks to Vashon Island Poet Laureate Margaret Roncone. “Return to Light” features 10 island poets and will be broadcast at 12 o’clock noon on the Winter Solstice, Thursday, Dec. 21, 2023. I am grateful to Margaret, the other poets, and show host, Susan McCabe for this fun opportunity!

The winter solstice is a time for reflection and appreciation of the season, so give yourself a moment of quiet joy during this busy time and tune into KVSH. You can find it online at Voice of Vashon. The show will be available to listen to on the website for 2 weeks. After that, poof!

If you are reading this post after the timeframe has past, you can still read it here:

Continue reading “Weather Report on Orange on the Radio”

You Need Harp Music for Rituals and Rites of Passage

We come to rituals to commemorate a moment in time, an event, or a loved one: a birth, love, a death. Often music plays a part in these rituals. Harp music in particular can be a meaningful addition to any ceremony. My work playing music for several decades at rites of passage and ceremonies of all sorts has given me a unique perspective on the process of ritual.

I have played harp since 1990, and I have been studying music earlier than that. As a young Catholic child, I was introduced to many ceremonies of the church – for holidays, feast days, seasons of the year, and of course, various passages of human life: birth, graduation, marriage, anniversary, and death. Since then, I would guess I’ve played music for nearly 600 weddings, and 500 funerals, memorials, and vigils.

Winter Solstice Ritual

Often, when music is a part of a reverent ceremony, it is a service, rather than entertainment. For instance, when I worked for Providence Hospice as a complementary therapist, I played harp for clients whose life might be on the threshold of death at any minute. There are certain styles and sounds that are most effective at this time. Sometimes my client didn’t have any loved ones present, so the gift of music meant all the more to them.

Continue reading “You Need Harp Music for Rituals and Rites of Passage”

Considering Calming Harp for Funeral Music

Harp is an instrument synonymous with peace and love. Harp also soothes and heals, alleviating emotional grief, physical distress, anxiety, and exhaustion. As a harpist, I enjoy offering funeral music for clients who have lost a loved one. I’ve studied the musical styles and songs that work well in the situation of death, such as ambient music. I can also play music that fits your family’s individual requests.

I have written compositions for the intention of creating peace of mind and healing. This relaxing style of music, by nature, helps to alleviate grief, stress, and other emotions associated with coping with death. Also, I have arranged a collection of Hildegard von Bingen’s songs, who was a Medieval plant medicine healer, spiritual leader, artist, musician, and composer.

I am always glad to accommodate requests of the family as best as I can within the time frame of the event.  For a traditional church memorial, I may be asked to play hymns, like “Into the Garden,” or “Amazing Grace,” as well as accompany a vocalist. For a modern request, I have played songs by Sting and Michael Jackson at a memorial, because those songs were favorites of the deceased. Cultural folk songs might also be another request if the person was an immigrant or felt close to their ethnic heritage.

Sometimes though, it is best to play non-familiar songs for the sake of a family’s grief, particularly if the cause of death was tragic. In this case, songs that serve more as background music are better, because they conjure up less of an emotional reaction at a time that might already be too difficult for loved ones to bear. When this is the situation, I play ambient non-familiar music to be as soothing as possible, as I would in a hospital or hospice – a skill I learned as Certified Therapeutic Musician.

Gravesite burials are something I enjoy playing harp for when I am able to, and when weather allows. I have a very small harp that I use in these moments, but I can also bring my 34 string folk harp in the summer months. For many funerals, I have played harp at both the indoor memorial, and graveside location back-to-back on the same day, a scenario that works well at a traditional funeral home with attached cemetery.

funeral music, by funeral musican and harpist, Monica Schley

Plenty of people don’t want religious music at a funeral, and I have repertoire for them too. I am quite comfortable with traditional and non-traditional situations around death. I know how to seamlessly weave songs together if there is to be an event with little to no speaking.

I have been studying funeral music since 1995 when I played church organ at the funeral of a friend’s father, and I have been studying music much longer. Since 2012 I have studied and worked as a therapeutic musician, so that I can provide music as an in-person healing modality.

Harp Therapy, by funeral musican and harpist, Monica Schley

Places where I have experience and training to play harp music for death and dying:

  • Bedside vigil of someone actively passing on
  • Hospital and Hospice care
  • Group memorial ceremony (for funeral home or healthcare organization)
  • Individual memorial (in funeral home or columbarium)
  • Gravesite burial
  • Funeral home wake/visitation
  • Celebration of life
  • Combination of funeral home ceremony + gravesite relocation
  • Formal Catholic funeral ceremony

Would you like to know more about therapeutic harp services? Visit my page here for in person beside music: https://monicaschley.com/other-services/

Harp Escape vol. 8 (City of Stars)

The harp is a beautiful instrument. The harp is also an impractical instrument. I should know. I had to buy a smaller harp when I had my second child, just so I could fit my whole family in the car with my instrument at the same time! Of course I think it is worth it. The harp is ancient, dreamy, and relaxing. It calls to many musicians and non-musicians. For over thirty years I have been gravitated to it’s magical call.

For these overly-practical times, these ship-sinking-times, I want to watch escapist movies like La La Land. When the pandemic hit, and I was making Harp Escape videos a little more frequently, I wanted to pay tribute to the wonderful soundtrack Justin Hurwitz created for this romantic story that payed homage to the Golden Age of film.

City of Stars (from La La Land)

Harp Escape is a series of videos and recordings dedicated to relaxing and calming music. One of my biggest goals of Harp Escape is to bring a breath of relaxation into your environment. Because we are living in such an unusual time, stress levels can be high. It is difficult to plan, and life can be downright hopeless feeling some days. Therefore, it is essential for us to take breaks throughout the day and, as I like to say, floss your ears. For more Harp Escape videos and music, visit YouTube and Patreon.

On Writing and Shopping at Harp Escape Shop

We have added more items up in my Harp Escape Shop! If you didn’t see the 30 day Instagram challenge I did in Feb/Mar you might have missed this gorgeous illustration by Stephen Schildbach. Harp Nouveau was inspired by Aubry Beardsley’s art (but I suppose also being married to me)! Now, you too can own a beautiful cotton tote bag with this lovely harp art nouveau design. $20

Art Nouveau Canvas Tote Bag
Harp Nouveau Tote Bag $20

For harpists, I have sheet music for sale. With the song “What the River Says/Aer Enim” you get two for the price of one. Both pieces are arranged for lever and/or pedal harp. This sheet music is for the intermediate harpist in the key of Eb (folk harpers will have to do some extra tuning for this!). This sheet music is for sale for $8.

My tune “What the River Says” is based on the Wm. Stafford poem, Ask Me. The second song, seamlessly merged with the first, was composed by Hildegard von Bingen. If you aren’t familiar with her work, she lived most of her life during the 12th Century, and is considered by many to be the first female composer of Western music. Born in Germany in 1098, Hildegard von Bingen composed music, wrote poetry, and also wrote several books about religion, art, politics, philosophy, science, medicine, and herbs.

This is just the first of many Hildegard von Bingen songs made available to you. I’m arranging an entire collection of her songs for lever harp, coming out next year by Mel Bay Publishing! Some students and friends may already know this. And chances are if you’ve hired me to play a memorial service or quiet ritual, you have heard me play one of these. As I complete working on the book, I’ll be sharing more with you.

What the River Says / Aer Enim Sheet Music (4pgs) $8

And speaking of writing a book… I’ve recently had a poem published! April is National Poetry Month after all, and it feels like a good time to share this. The lengthy title, Poem for My Unborn Boy at the Ballard Locks One Day Before His Birth, (published by Literary Mama) sums up the theme of the poem quite thoroughly. For anyone who has waited for the birth of their child, my go-to technique to get moving 5years ago with my son, was walking stairs at the Locks, over and over again.

The Harp Escape Shop will be undergoing more transformation in the coming months. Feel free to contact me if you run into any bumps in the process.